REVIEWS

/ BolteLang
Alexandra Navratil, Buoyancy, 2014.
by

Aoife Rosenmeyer

A day prior to the opening of Alexandra Navratil’s “Plunge / Soar,” an article appeared in The Economist online suggesting that the low cost of human labor—brought even lower as other automated processes render people redundant—would be the major barrier to the widespread adoption of driverless cars.(1) This interesting—and horrifying—thought has... continue reading

AUTHOR

view all

GALLERY

view all
Abc
Bq
Kow
M+B
Non
Vw

ARTIST

view all
Gallery Ernst Hilger
Art Paris
Air the paris
The Third Line
Peres Projects
Aperture
galeria nara roesler
MIA Art Fair
P420
Marion
Luisa Strina
Art Monthly
Vitamin creative space