REVIEWS

/ BolteLang
Alexandra Navratil, Buoyancy, 2014.
by

Aoife Rosenmeyer

A day prior to the opening of Alexandra Navratil’s “Plunge / Soar,” an article appeared in The Economist online suggesting that the low cost of human labor—brought even lower as other automated processes render people redundant—would be the major barrier to the widespread adoption of driverless cars.(1) This interesting—and horrifying—thought has... continue reading

AUTHOR

view all

GALLERY

view all
Abc
Bq
Kow
M+B
Non
Vw

ARTIST

view all
The breeder
X-TRA
Anton Kern Gallery
galeria nara roesler
Magazine Mousse
art-agenda
Brooklyn Rail
Air the paris
Blum&Poe
Art Monthly
Cardi Black Box
Marion
Aperture