REVIEWS

/ Carolina Nitsch
Martin Kippenberger, "The Raft of the Medusa," 1996.
by

Media Farzin

When Théodore Géricault’s The Raft of the Medusa was unveiled in the Paris salon of 1819, there were gasps of horror (and low whistles of admiration) at its political audacity. The painting depicted a public scandal of just three years prior, the tale of a slave ship stranded at sea... continue reading

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