REVIEWS

/ Centre d'Art Contemporain Genève
Andreas Angelidakis, Demos Bar, 2018.
by

Barbara Casavecchia

The press schedule for the opening days of the Biennale de l’Image en Mouvement (BIM) included a special visit to CERN’s “Antimatter Factory.” Our guide was a cheerful Chinese-American engineer who laughed at my astonishment when he explained that our knowledge of the universe—stars, planets, galaxies—amounts to its visible 4... continue reading

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