REVIEWS

/ Cherry and Martin
View of Brian Bress’s “In Lieu of Flowers Send Memes,” Cherry and Martin, Los Angeles, 2017.
by

Andrew Berardini

Here’s the latest Spring menswear line worn by the hottest male models of the twenty-eighth century, those jaunty scions of cyborg overlords. Our wetwear bodies found a hardware durability after we and our machines, long flirting, finally coupled. Moodily lit with mint and hot pink, humanoid bods sport flight jackets... continue reading
“The Lifestyle Press”

CHERRY AND MARTIN, Los Angeles

Sam Lewitt, Darkness Elsewhere, 2007.
by

Joanna Fiduccia

“The Lifestyle Press,” a group exhibition curated by Gil Blank, opened with its ambitions foreclosed. Just days before, Blank had been informed that the publication which was to accompany the show, a mock junk-mail circular with coupons that could be used toward the purchase of artworks, would not be printed... continue reading
Amanda Ross-Ho at Cherry and Martin, Los Angeles

CHERRY AND MARTIN, Los Angeles

Amanda Ross-Ho at Cherry and Martin, Los Angeles
by

Sarah Lehrer-Graiwer

Text—as a never-finished, always-mutable, and labored process of thought—is the internal organizing logic of Amanda Ross-Ho's recent production. The artist prepared the press release for her show, "A Stack of Black Pants," as a sequential composite of paragraphs from the press releases accompanying her previous three exhibitions at Cherry and Martin. Rhyming quantity with chronology, it is made up of one paragraph from the artist's first solo show (2006), two from her... continue reading

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ArtAsiaPacific
Cardi Black Box
Sprueth Magers
Brooklyn Rail
Vitamin creative space
Air the paris
Luisa Strina
Art Monthly
Peres Projects
Tulips & Roses
art-agenda
Gallery Ernst Hilger
The Third Line