REVIEWS

/ Chert
View of Ruth Wolf-Rehfeldt, “SIGNS FICTIONS,” Chert, Berlin, 2015.
by

Doreen Mende

How can one detach oneself from the contemporary communicative capitalism that legitimizes the perpetual upgrading of governmental surveillance, as recently exemplified by certain state responses to the shootings at the offices of Charlie Hebdo in Paris? A valuable point of entry is the work of artists who lived under extreme... continue reading

AUTHOR

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GALLERY

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Abc
Bq
Kow
M+B
Non
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ARTIST

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Aperture
Kaleidoscope
P420
Michael Kon
flashart
Marion
ArtAsiaPacific
Afterimage
Hilger
Luisa Strina
X-TRA
Cardi Black Box
Art Newspaper