REVIEWS

/ Chert
View of Ruth Wolf-Rehfeldt, “SIGNS FICTIONS,” Chert, Berlin, 2015.
by

Doreen Mende

How can one detach oneself from the contemporary communicative capitalism that legitimizes the perpetual upgrading of governmental surveillance, as recently exemplified by certain state responses to the shootings at the offices of Charlie Hebdo in Paris? A valuable point of entry is the work of artists who lived under extreme... continue reading

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flashart
Cardi Black Box
Aperture
Art Newspaper
Carolina Nitsch
e-flux iPad
Spike
ArtAsiaPacific
Michael Kon
Blum&Poe
Art Monthly
Luisa Strina
Afterimage