REVIEWS

/ Chert
View of Ruth Wolf-Rehfeldt, “SIGNS FICTIONS,” Chert, Berlin, 2015.
by

Doreen Mende

How can one detach oneself from the contemporary communicative capitalism that legitimizes the perpetual upgrading of governmental surveillance, as recently exemplified by certain state responses to the shootings at the offices of Charlie Hebdo in Paris? A valuable point of entry is the work of artists who lived under extreme... continue reading

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GALLERY

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Abc
Bq
Kow
M+B
Non
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ARTIST

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sp-arte
galeria nara roesler
Blum&Poe
Carolina Nitsch
Marion
Michael Kon
Air the paris
Kaleidoscope
MIA Art Fair
Hilger
Sprueth Magers
Aperture
Anton Kern Gallery