REVIEWS

/ Chert
View of Ruth Wolf-Rehfeldt, “SIGNS FICTIONS,” Chert, Berlin, 2015.
by

Doreen Mende

How can one detach oneself from the contemporary communicative capitalism that legitimizes the perpetual upgrading of governmental surveillance, as recently exemplified by certain state responses to the shootings at the offices of Charlie Hebdo in Paris? A valuable point of entry is the work of artists who lived under extreme... continue reading

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sp-arte
Camera Austria
art-agenda
Air the paris
Kaleidoscope
Michael Kon
e-flux iPad
Brooklyn Rail
Luisa Strina
Cardi Black Box
MIA Art Fair
GALLERIA MASSIMODELUCA
Art Monthly