Stepping out of time can be a risky proposition, however carefully planned the escape. Art has always been in conflict with time: whether as a magical or religious symbol of the eternal, as the marker of its maker’s immortality, and, in the twentieth century, as an increasingly riven material object...
continue reading
Luc Tuymans's paintings set a somber mood at David Zwirner: a ship at sail with its stern to a cloudy horizon; a conspiratorial faceless portrait; a panel discussion dissolving as its participants are cast in blinding light. The 11 works in his latest show titled "Corporate" darkly depict corporations as the new feudal lords. This means a series of portraits, interiors, and landscapes in shades of gray line Zwirner's walls, along with a girl on horseback and some knightly...
continue reading