REVIEWS

/ Deborah Schamoni
Manfred Pernice, briefkastenOrion (verlorener posten), 2015.
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Jenny Nachtigall

The protagonist of Fanny von Reventlow’s novel The Money Complex (1916) suffers from a pathological lack of cash. She is afflicted with a grave sickness of fetishism: money is a being with “whom” she had a very painful relationship that failed dramatically—hence her ailment and impoverishment. In the present times... continue reading
View of “it’s just a way to stay alive / Zukunftswahn,” Deborah Schamoni Galerie, Munich, 2013.
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Kerstin Stakemeier

Munich is a place for long shots. It lacks Berlin’s elegantly wasted charm and it is not an international youth hostel of art. Quite on the contrary, for emerging artists or for young galleries Munich is a rough patch with its incredibly high rents and living expenses. But its haute... continue reading

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Tulips & Roses
Spike
X-TRA
Michael Kon
Magazine Mousse
Hilger
GALLERIA MASSIMODELUCA
Afterimage
Blum&Poe
Deweer
flashart
art-agenda
Camera Austria