REVIEWS

/ Galeria Fortes Vilaça
View of Marine Hugonnier, “The Bee, the Parrot and the Jaguar,” Galeria Fortes Vilaça, São Paulo, 2014.
by

Filipa Ramos

Eighteen years have passed since Hal Foster’s critical remarks on the position of the artist as ethnographer.(1) That text, together with Catherine David’s 1997 Documenta X, and its questioning of the anthropological foundations of Western culture, became two groundbreaking events, which heralded a tightening of the artistic and anthropological inquiries... continue reading

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