REVIEWS

/ Galerie Greta Meert
View of Eric Baudelaire, “The Anabasis & The Ugly One,” Galerie Greta Meert, Brussels, 2014.
by

ADAM KLEINMAN

Inverting the specters of progress in his 2005 Le Siècle, Alain Badiou revisited the decade-long about-face of a Greek mercenary force that successfully fought its way home from a failed, early-fourth-century incursion in Persia. He did this as a means of determining where a sequacious political left stands today, and... continue reading

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