REVIEWS

/ Galerie Loevenbruck
View of Alina Szapocznikow's "Human landscape(s)," at Galerie Loevenbruck, Paris, 2016.
by

Mara Hoberman

Best known for her alternately macabre and humorous sculptures—body parts cast in polyester resin, anthropomorphic wads of used chewing gum, plastic lamps featuring disembodied red lips or pink breasts, and Carrara marble belly rolls—Alina Szapocznikow also made hundreds of drawings over the course of her short career. Following a renewed... continue reading

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Michael Kon