REVIEWS

/ Galerie Martin Janda
Július Koller, Otáznik (Anti-Happening), 1969.
by

Simon Rees

Anyone who grew up in the 1970s and watched the Children’s Television Network/PBS educational series Sesame Street was subliminally prepared for the gamut of conceptualism in (contemporary) art. No character prepared one better than the “Mad Painter,” who popped up in the unlikeliest of places in his Chaplinesque bowler hat... continue reading

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Aperture
The breeder
Carolina Nitsch
Michael Kon
Xavier Hufkens
art-agenda
Hilger
Anton Kern Gallery
Cardi Black Box
Blum&Poe
Deweer
Tulips & Roses
e-flux iPad