REVIEWS

/ Galerie Max Hetzler
View of “REMEMBER EVERYTHING: 40 Years Galerie Max Hetzler” at Galerie Max Hetzler, Berlin, 2013.
by

Kito Nedo

If someone ever wished to consider the effects of German reunification on the commercial art scene after 1990, Galerie Max Hetzler would make a perfect case study. Hetzler, who had already opened his first gallery in 1973 in Stuttgart, played a central role as an art dealer in Cologne during... continue reading
Thomas Struth at Galerie Max Hetzler, Berlin

GALERIE MAX HETZLER, Berlin

Thomas Struth at Galerie Max Hetzler, Berlin
by

Michèle Faguet

Like the images of empty streets of his hometown Düsseldorf, and the cities he visited and photographed as a young artist in the late 70s and early 80s—New York, Rome, Paris, Brussels—Thomas Struth's recent group of photographs depict the landscapes of technological infrastructures in which the makers of these structures (i.e., human beings) are largely absent.... continue reading

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