REVIEWS

/ Greene Naftali
Trisha Baga, Mollusca & The Pelvic Floor, 2018.
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Leo Goldsmith

Trisha Baga’s third exhibition at Greene Naftali is also her most ambitious. “Mollusca & The Pelvic Floor,” like its cosmically hilarious and dizzyingly psychedelic predecessors, features a dazzling and untidy collection of found, handmade, and moving-image works: from doctored lenticular posters of human anatomy to idiosyncratic ceramic representations of everyday... continue reading
Joachim Koester’s “Body Electric”

GREENE NAFTALI, New York

Joachim Koester, "Body Electric," Greene Naftali, New York, 2015.
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Pedro Neves Marques

“Nothing is true, everything is permitted.” A fine phrase for art, but just as eerily appropriate for politics in these days of technocratic, neoliberal control over “non-societies” jam-packed with contemporary “me only” pathologies—from entrepreneurship bullshit to non-dom tax evasion. What William Burroughs couldn’t possibly have imagined was how this iconic... continue reading
Gianni Colombo

GREENE NAFTALI, New York

View of Gianni Colombo, Greene Naftali, New York, 2013.
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Alan Gilbert

I don’t know if I’ve ever seen—and experienced—as much unadulterated glee in an art gallery or museum as I did at the opening of Gelitin’s “The Fall Show” at Greene Naftali last September. The gallery was filled with makeshift sculptures of different shapes fashioned from relatively cheap materials and placed... continue reading

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ARTIST

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sp-arte
ArtAsiaPacific
Michael Kon
Cardi Black Box
Anton Kern Gallery
Art Monthly
Magazine Mousse
Friedrich Petzel
Blum&Poe
MIA Art Fair
Kaleidoscope
Camera Austria
Carolina Nitsch