REVIEWS

/ Kent Fine Art
View of Paul Laffoley’s “The Force Structure of the Mystical Experience,” Kent Fine Art, New York, 2015.
by

Tyler Coburn

The past decade has seen a shift in art’s center/periphery model, as so-called “Outsider Art” gains both curatorial and market visibility. Yet far from losing its particularity, as David Maclagan notes in a 2012 frieze roundtable, Outsider Art risks becoming “a prospective concept, continually enlarging itself, not least because of... continue reading

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