REVIEWS

/ Lehmann Maupin
Kader Attia, Reason's Oxymorons, 2015.
by

Andrew Stefan Weiner

Despite their enigmatic, aloof character, most of the works in Kader Attia’s current exhibition at Lehmann Maupin are relatively easy to make sense of. Whether in their medium (neoconceptual sculpture), their mode of facture (readymade assemblage), or their topic (cultural hybridization), they exemplify what we now expect of “global contemporary... continue reading
Mickalene Thomas, Monet's Salon, 2012.
by

Alan Gilbert

Mickalene Thomas first gained acclaim with her stunning painted portraits of African-American women. She easily could have continued producing this kind of portraiture work à la Chuck Close or Kehinde Wiley and become quite successful in a similar way; instead, she has restlessly explored a variety of genres and mediums—including... continue reading
"Lush Life: An Exhibition in Nine Chapters," New York
by

Media Farzin

The premise is a nine-part exhibition inspired by an edgy crime thriller, promising equal parts complexity and intertextuality. The results, however, aren't quite as involved. "Lush Life: An Exhibition in Nine Chapters" is grouping of a nine loosely-themed summer shows scattered throughout New York's Lower East Side. ... continue reading

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Brooklyn Rail
The breeder
MIA Art Fair
Art Newspaper
Cardi Black Box
Magazine Mousse
galeria nara roesler
P420
Tulips & Roses
Aperture
Kaleidoscope
art-agenda
Xavier Hufkens