REVIEWS

/ Meyer Riegger
Katinka Bock’s “Smog”

MEYER RIEGGER, Berlin

View of Katinka Bock's "Smog," Meyer Riegger, Berlin, 2017.
by

Simone Menegoi

Katinka Bock compares works to words and exhibitions to texts.(1) The analogy explains the relationship between the two aspects of the Franco-German artist’s work: the sculptures, silver prints, and occasional films, on the one hand, and the sophisticated displays that she creates out of them, whose value is greater than... continue reading
View of Eva Kot’átková’s “Diary of a stomach,” Meyer Riegger, Berlin, 2017.
by

Ana Ofak

“What have you eaten today?” a metallic voiceover inquires. The reply, uttered by a child, hesitantly, is “nothing.” Yet in the course of the transitory interrogation that unfolds in the middle of Eva Kot’átková’s most recent film Stomach of the world (2017), currently being shown by the Polyeco Contemporary Art Initiative at... continue reading
View of Eva Kotátková’s “They are Coming,” Meyer Riegger, Berlin, 2013.
by

Kirsty Bell

Passers-by who found themselves at the farthest reaches of Berlin’s Friedrichstrasse in late April may have been surprised to notice an array of animated body parts on display in a shop window. A pair of eyes, a pair of hands, a face, an arm, two knees and their feet protruded... continue reading

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