REVIEWS

/ Michael Werner
View of Jörg Immendorff’s “LIDL Works and Performances from the 60s,” Michael Werner Gallery, New York, 2017.
by

Andrew Stefan Weiner

At the time of his death in 2007, Jörg Immendorff was celebrated in his homeland as one of postwar Germany’s most famous artists, and also as one of its most infamous. Earlier that year the terminally ill, functionally incapacitated painter had directed a team of assistants to produce an official... continue reading
“Marcel Broodthaers: Écriture”

MICHAEL WERNER, New York

Marcel Broodthaers, Dites Partout Que Je L'Ai Dit, 1974.
by

Alan Gilbert

It’s only appropriate that visitors to Michael Werner’s current Marcel Broodthaers exhibition would encounter a stuffed parrot as part of the installation Dites Partout Que Je L’Ai Dit (1974). Broodthaers was a master at creatively parroting—both consciously and unconsciously—the tropes, images, and theory that may now seem a bit tame... continue reading

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