REVIEWS

/ Minsheng Art Museum
Liu Wei, Meditation No.2, 2010.
by

Colin Chinnery

Liu Wei’s largest solo show to date deals with two main visual tropes—the horizon and the city. The first monumental sculpture we are confronted with is a megalopolis bristling with corporate towers perched high upon a bare rock, guarded further by a broad building in the shape of China’s national... continue reading

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