REVIEWS

/ Moran Bondaroff
View of Terence Koh’s “sleeping in a beam of sunlight,” Moran Bondaroff, Los Angeles, 2017.
by

Jonathan Griffin

Over the decade and a half of his career to date, Terence Koh has generated so many myths that it is now nearly impossible to begin thinking about his work without first acknowledging the tales of his personal and professional decadence in New York during the pre-crash mid-aughts, or the... continue reading

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