REVIEWS

/ Museum Tinguely
Sofia Hultén, History in Imaginary Time, 2012.
by

Aoife Rosenmeyer

I just didn’t get Sofia Hultén’s work Pattern Recognition (2017). Several sets of 12 small perforated metal sheets, like those that hang on workshop walls, are arranged in tidy grids. Each set holds a number of tools or objects, short pieces of chain on one, plastic cutting templates on another,... continue reading

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