REVIEWS

/ SAVVY Contemporary
iQhiya, Monday, 2017.
by

Mitch Speed

In the basement of a former Berlin crematorium, a small brass instrument sputters and hisses. The sculpture—Vartan Avakian’s Composition With A Recurring Sound (2016)—could be the baby cousin to a trumpet or saxophone. It is also the closest this group exhibition about rhythm gets to danceability. No surprise there. SAVVY... continue reading

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