REVIEWS

/ Simon Preston
View of John Gerrard's "X. laevis (Spacelab)," Simon Preston Gallery, New York.
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Laura McLean-Ferris

Where is the bright line between life and the simulation of life? And what then are the criteria for assessing aliveness? These questions are forever reconstituted and assessed anew at life’s fringes—around automata, the dead, artificial intelligence. 2017’s prestige AI television series Westworld is only the most recent thinking-through of... continue reading
Amie Siegel, Double Negative, 2015.
by

Orit Gat

Exhibition spaces are, at times, haunted by the work they housed in the past. Walk through a museum and former installations will reverberate. Think of the Arsenale in Venice, visited by the ghosts of biennials past. This is all the more evident in galleries. The steady relationship between a gallery... continue reading

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Vitamin creative space
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GALLERIA MASSIMODELUCA
Gallery Ernst Hilger
Anton Kern Gallery
Magazine Mousse
Carolina Nitsch
Art Monthly
Xavier Hufkens
Air the paris
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Luisa Strina