REVIEWS

/ Sperone Westwater
View of Bruce Nauman's "Contrapposto Studies, i through vii," Sperone Westwater, New York, 2016.
by

Kim Levin

He was considered a lightweight in the early days of post-minimalism but for decades Bruce Nauman has been praised as one of the most wildly influential artists of our time. His video performances with the sounds of their own making hover between tedium and enthrallment, banality and profundity, repetition and... continue reading
Kutluğ Ataman, Mayhem, 2011.
by

Arnaud Gerspacher

If you’re overly tapped into art world tropes or academic hotspots, it’s tempting to think that there would be little new to offer in the archival impulse, in interrogating documentary conventions, or in playing with the effects fictions have on the facts. But like Harun Farocki, Amar Kanwar, or Omer... continue reading

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