REVIEWS

/ Tanya Leighton Gallery
“The Undercover Economist”

TANYA LEIGHTON GALLERY, Berlin

View of “The Undercover Economist,” Tanya Leighton Gallery, Berlin, 2017.
by

Stefan Heidenreich

For some people, economy is mostly about money. But that is stupid: economy is actually about something else. Money is just the medium conventionally assigned to all tasks understood as economic. In the end, money is just a medium. For all those who firmly believe that the medium is the... continue reading
Derek Boshier’s “Change”

TANYA LEIGHTON GALLERY, Berlin

View of Derek Boshier, “Change,” Tanya Leighton Gallery, Berlin, 2014.
by

Ana Teixeira Pinto

Before it became a commercially viable mode of artistic production celebrating the hegemony of the market over the social, Pop was—albeit briefly—an art of critique. When popular mass culture motifs where first adopted by contemporary artists in the early-1950s, they seemed to announce a revival of Dadaism. For Eduardo Paolozzi,... continue reading
View of Aleksandra Domanović’s “The Future Was at Her Fingertips,” Tanya Leighton Gallery, Berlin, 2013.
by

Stefan Heidenreich

It was in 1843 that Ada Lovelace, daughter of Lord Byron and a friend of Charles Babbage, sketched out a concept for machine calculations. Today she is considered the first computer programmer. Lovelace’s claim to fame comes as the first entry in a timeline that is given as a... continue reading
John Smith's "Flag Mountain/Black Tower"  at Tanya Leighton Gallery, Berlin
by

Ana Teixeira Pinto

The reason why things don’t remain the same is because they were never thus. Everything contains manifold dialectical possibilities. A man’s home might be his castle, yet no castle is a monolith. No hotel room is a monolith either. ... continue reading

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flashart
Kaleidoscope
Michael Kon
Magazine Mousse
Aperture
P420
X-TRA
Cardi Black Box
galeria nara roesler
Gallery Ernst Hilger
Luisa Strina
Xavier Hufkens
sp-arte