REVIEWS

/ White Cube
Theaster Gates, My Labor is My Protest, 2012.
by

Gil Leung

In 1973, Hollis Frampton sent a letter of protest to the curator of MoMA who had asked him about the possibility of doing a retrospective of his work, “for love and honor and no money.”(1) The working conditions of artists may not have changed much today, but perhaps there has... continue reading
View of, "Il Mistero delle Cattedrali", White Cube, Bermondsey, London, 2011.
by

JJ Charlesworth

Commenting on new work by a “great” artist is always difficult. The task is fraught with paradoxes. After all, the moment you’re faced with recent work from an artist who has long ago been elevated to the canon of contemporary art history, what is there left to say? The work... continue reading

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