REVIEWS

/ Whitney Museum of American Art
Double Take—Whitney Biennial 2017

WHITNEY MUSEUM OF AMERICAN ART, New York

View of Whitney Biennial 2017, Whitney Museum of American Art, New York, with works by Kaari Upson.
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Chris Sharp and Genevieve Yue

Double Take is a feature of art-agenda in which two authors review the same exhibition. Written independently, the two texts share the same images and are published below. —by Chris Sharp The stakes surrounding this Whitney Biennial are, to say the least, high. Indeed, it’s hard to imagine a biennial being under... continue reading
Whitney Biennial 2014

WHITNEY MUSEUM OF AMERICAN ART, New York

Bjarne Melgaard, Think I’m Gonna Have A Baby, 2014.
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Kevin McGarry

The most streamlined mythology of the past two decades of the Whitney Biennial goes something like this: 1993 represented the Big Bang of art and identity politics, and since then, the curve has bobbed up and down like a sine wave, going above and below the axis of overthought mediocrity... continue reading
Whitney Biennial 2012

WHITNEY MUSEUM OF AMERICAN ART, New York

Wu Tsang, WILDNESS, 2012 (in progress).
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Stephen Squibb

Partial, relaxed, and idiosyncratic are not typically positive associations for large survey shows. But these have been multiplying recently, and perhaps that is why that most venerable of panoramas, the Whitney Biennial, finds itself relieved, a little, of its historical pretensions towards completeness. Any survey is just one of an... continue reading
“Anti-Illusion: Procedures/Materials”

WHITNEY MUSEUM OF AMERICAN ART, New York

Rafael Ferrer, Untitled, 1969.
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Cindy Nemser

Rearview In the wing mirror of the passenger side of a vehicle, objects are closer than they appear. The texts re-published in the Rearview series are those that we wish to draw attention to perhaps because they reveal certain “blind spots” in contemporary art criticism. Each month, these “found” reviews (indeed, quasi-artifacts)... continue reading

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sp-arte
Deweer
Camera Austria
flashart
Peres Projects
GALLERIA MASSIMODELUCA
Michael Kon
Anton Kern Gallery
Carolina Nitsch
art-agenda
X-TRA
The Third Line
Hilger