REVIEWS

/ Yokohama Triennale 2011
Aurélien Froment, Théâtre de poche (Pocket Theater), 2007.
by

Brian Sholis

Organizing an international biennial or triennial exhibition is, in principle, a thankless task. Your two main audiences, locals unfamiliar with recent artistic developments and globe-hopping art citizens eager for new discoveries, have opposing needs and desires. Apportioning artworks among multiple venues, securing the funding to meet an outsized budget, and... continue reading

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Abc
Bq
Kow
M+B
Non
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ARTIST

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Tulips & Roses
Friedrich Petzel
Vitamin creative space
Hilger
Xavier Hufkens
Magazine Mousse
Marion
art-agenda
Air the paris
The breeder
Brooklyn Rail
Anton Kern Gallery
sp-arte