REVIEWS

/ Yokohama Triennale 2011
Aurélien Froment, Théâtre de poche (Pocket Theater), 2007.
by

Brian Sholis

Organizing an international biennial or triennial exhibition is, in principle, a thankless task. Your two main audiences, locals unfamiliar with recent artistic developments and globe-hopping art citizens eager for new discoveries, have opposing needs and desires. Apportioning artworks among multiple venues, securing the funding to meet an outsized budget, and... continue reading

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Abc
Bq
Kow
M+B
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ARTIST

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flashart
Friedrich Petzel
Sprueth Magers
Aperture
Kaleidoscope
Brooklyn Rail
Afterimage
Gallery Ernst Hilger
galeria nara roesler
Camera Austria
The Third Line
Anton Kern Gallery
Luisa Strina