REVIEWS

/ Yokohama Triennale 2011
Aurélien Froment, Théâtre de poche (Pocket Theater), 2007.
by

Brian Sholis

Organizing an international biennial or triennial exhibition is, in principle, a thankless task. Your two main audiences, locals unfamiliar with recent artistic developments and globe-hopping art citizens eager for new discoveries, have opposing needs and desires. Apportioning artworks among multiple venues, securing the funding to meet an outsized budget, and... continue reading

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MIA Art Fair
Friedrich Petzel
Air the paris
galeria nara roesler
Kaleidoscope
Vitamin creative space
P420
Brooklyn Rail
Anton Kern Gallery
X-TRA
sp-arte
Marion
Art Newspaper