REVIEWS

/ Yvon Lambert
View of Adel Abdessemed, “Solo,” Yvon Lambert, Paris, 2014.
by

Mara Hoberman

The news that Yvon Lambert is closing his Paris gallery is hardly shocking. What is remarkable, however, is how long his run lasted. Fifty-plus years spent working with contemporary artists puts Lambert in the rare position of being both an art historical footnote and a current art market player. The... continue reading
View of “Light and Dark – The Projections of Robert Barry 1967–2012,” Yvon Lambert, Paris, 2012–2013.
by

Mara Hoberman

In 1967, a young Robert Barry spent six weeks on a former racehorse farm in Belmont, New York, as part of an artists-in-residence program sponsored by the Whitney Museum. The documentary photographs he shot during his summer on the farm—a medley of picket-fenced country roads, grazing horses, and artists convening... continue reading

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GALLERIA MASSIMODELUCA
X-TRA
The Third Line
Hilger