REVIEWS

/ Barcelona
Holly White, Orange World, 2017.
by

Lizzie Homersham

“If you believe you’re a citizen of the world, you’re a citizen of nowhere. You don’t understand what the very word ‘citizenship’ means.” I was sent into a cold rage when I read these words what feels like a never-ending day ago in the transcript from Theresa May’s Conservative Party... continue reading
“The Space of Dreams”

GALERIA MAYORAL, Barcelona

View of “The Space of Dreams,” Galería Mayoral, Barcelona, 2017.
by

Ingo Niermann

Earlier this summer, after a public talk between Elena Sorokina and my wife, Chus Martínez, the three of us were invited by Eduard Mayoral of Galeria Mayoral to dinner. We hadn’t yet reached dessert when Eduard asked us what to make of Salvador Dalí. They were about to open a... continue reading
View of Ana Jotta’s “Abans que me n’oblidi (Before I forget),” ProjecteSD, Barcelona, 2016.
by

Mariana Canepa Luna

While it has been widely exhibited in her native Portugal, Ana Jotta’s work hasn’t been presented in depth to the Barcelona public since the early 1990s.(1) So this mini-survey of her production from 1980 to the present, framed as part of the Barcelona Gallery Weekend, is overdue. “Abans que me... continue reading
Loop Barcelona

VARIOUS LOCATIONS, Barcelona

Antoni Miralda, The Last Carnival Cruise, 1980-2016.
by

Lucy Reynolds

Barcelona’s Loop art fair, which started in 2003, is the oldest and most established initiative to assert the commercial potential of film and video. The medium’s ephemeral nature, and its associations with the very different market values of cinema, have contributed to a continued reluctance from collectors, attracted by the... continue reading
Jochen Lempert

PROJECTESD, Barcelona

View of Jochen Lempert, ProjecteSD, Barcelona, 2014.
by

Carles Guerra

Jochen Lempert’s work is often presented in large compositions of black-and-white photographs demanding close inspection. This time is no different. Ranging from medium-sized to small and tiny prints, this exhibition of his now classic repertoire of flora and fauna gives visitors the feeling of being at an amateur’s show, where... continue reading
Harun Farocki, The Words of the Chairman, 1967. Still from video.
by

Carles Guerra

This exhibition is one of the first since Harun Farocki’s unexpected death in July. In the absence of the artist himself, “4 films from 1967 to 1997” pays tribute to the man—chosen by his partner and collaborator, Antje Ehmann—who has been perhaps among the most influential artists and filmmakers of the second half... continue reading

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Kaleidoscope
The breeder
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ArtAsiaPacific
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Art Monthly
Air the paris
Carolina Nitsch