REVIEWS

/ Beijing
View of “I’m Not Involved In Aesthetic Progress: A Rethinking of Performance,” Star Gallery, Beijing, 2013.
by

Edward Sanderson

In this inaugural exhibition in Star Gallery’s new Beijing space, curator Su Wei addresses certain perceived limitations in the discourse surrounding Chinese performance art. Drawing on the work of eight artists, the presentation avoids “formulated mechanisms,” Su writes, to specifically address works “irreducible to any classification within... continue reading
View of Brendan Earley’s “In the Midnight City,” Galerie Urs Meile, Beijing, 2013.
by

Iona Whittaker

It is an inexorable fact that every work of art is a response in some form. Irish artist Brendan Earley has created works in response to Beijing, where he was an artist-in-residence at Galerie Urs Meile last year. One might hazard the suggestion that Beijing is a city that is... continue reading
Yang Fudong’s “Close to the Sea & the Revival of the Snake”

SHANGHART BEIJING / ARTMIA GALLERY, Beijing

Yang Fudong, The Revival of the Snake, 2005.
by

David Spalding

In the mannered world evoked in the best-known films and video installations of Yang Fudong, people don’t speak much, perhaps because they have nothing to say. Instead, they preen and posture, as if posing for the still photographs they also appear in. A moody, attractive bunch, they tend to dress... continue reading
Hong Hao’s “AS IT IS”

BEIJING COMMUNE, Beijing

Hong Hao, Reborn, 2011.
by

Pauline J. Yao

There is something immensely gratifying about seeing an artist produce a roomful of artworks out of meticulously collected miscellaneous receipts, letters, forms, and paper ephemera from daily life. Perhaps this is due to the familiarity of the materials, or the fact that most of us take comfort in knowing that... continue reading
Sterling Ruby’s “Vampire”

THE PACE GALLERY, Beijing

View of, "Vampire", The Pace Gallery, Beijing, 2011.
by

David Spalding

Caught in that dark crawlspace between the living and the dead, hounded by a destructive, unending hunger and burdened with the need to indoctrinate: this is today’s American empire as it appears in “Vampire,” Sterling Ruby’s exhibition of new and recent work at The Pace Gallery, Beijing. Ruby has always... continue reading
"MadeIn: Don't Hang Your Faith on the Wall," Long March Space, Beijing
by

Colin Chinnery

MadeIn is a cultural production company founded a year ago by the Chinese experimental artist Xu Zhen. He founded the company in an attempt to define and combine his various outputs beyond his own artwork, such as the non-profit space BizArt, China's leading online contemporary art forum Art-Ba-Ba (which translates as "art daddy" or "art shit" depending on the tones of "ba-ba"), and his curatorial work. ... continue reading

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Cardi Black Box
Sprueth Magers
ArtAsiaPacific
The Third Line
Michael Kon
sp-arte
Magazine Mousse
Brooklyn Rail
Marion
Carolina Nitsch
Xavier Hufkens
Deweer
Gallery Ernst Hilger