REVIEWS

/ Kyoto
Gaku Nakano, Listening to a myth told by a goat (detail), 2015.
by

Minoru Shimizu

The past few decades in the art world have seen the emergence of both relational art and “Zombie Formalism.”(1) The former is a primarily public funding-dependent, social democratic art, in which the artist is a kind of facilitator, who, because of his or her participation in the contemporary-art game, is... continue reading

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