REVIEWS

/ London
Amar Kanwar’s “Such A Morning”

MARIAN GOODMAN GALLERY, London

Amar Kanwar, Such A Morning, 2017.
by

Colin Perry

Amar Kanwar’s latest video installation delves into more mystical concerns than the documentary format, for which he is known, might seem capable of containing. The eponymous single-channel video at the heart of “Such A Morning” (all works 2017) is an exquisitely installed piece of visionary slow cinema—a work whose mode... continue reading
Frieze Art Fair

FRIEZE ART FAIR, London

View of David Zwirner booth, Frieze Art Fair, London, 2017.
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Herb Shellenberger

Leave or Remain, Trump or Clinton, terror, peace, boredom, or indifference: no matter where the world is at culturally, politically, socially, or existentially, there will always be another Frieze fair in early October. If last year’s edition occurred within the shadow of a particularly pronounced period of political uncertainty, by... continue reading
“Letter from Istanbul”

PI ARTWORKS, London

View of "Letter from Istanbul," Pi Artworks, London, 2017.
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Filipa Ramos and Morgan Quaintance

In curating “Letter from Istanbul” at Pi Artworks, London, Morgan Quaintance combined multiple approaches to examine the cultural, social, and political life of Istanbul. He expanded the format of the exhibition to open a direct dialogue between artworks and diverse materials and documents, while also including radio broadcasts and a... continue reading
View of Tamara Henderson's "Seasons End: Panting Healer," Rodeo, London, 2017.
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Tom Morton

A rule of thumb: hearing about other people’s trips abroad is boring. Another: hearing about their dreams is even worse. Given that the work of Tamara Henderson draws on the Canadian artist’s world-girdling nomadism (her CV is a litany of travel grants and residencies) and her own unconscious (past projects... continue reading
View of Edgardo Antonio Vigo’s “Un Arte A Realizar [An Art In Becoming],” Richard Saltoun Gallery, London, 2017.
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Gustavo Grandal Montero

“Un Arte A Realizar [An Art In Becoming]” is the first solo exhibition in the UK dedicated to the Argentinian artist Edgardo Antonio Vigo, who died in 1997. Relatively unknown in Europe, his name has until recently been associated with mail art, that most underrated of avant-garde movements. The exhibition... continue reading
View of Christina Mackie's "Drift Rust," Herald Street, London, 2017.
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Patrick Langley

Christina Mackie’s installations have an instinctive and provisional feel about them. They present the viewer with arrays of disparate objects, arranged on trestle tables, walls, and shelves, assembled according to a spontaneous logic of correspondence and juxtaposition. Mackie refers to this aspect of her work as “trestle art.”(1) Wolfgang Tillmans’... continue reading

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Tulips & Roses
Brooklyn Rail
Camera Austria
Marion
Art Monthly
Aperture
GALLERIA MASSIMODELUCA
Afterimage
MIA Art Fair
Carolina Nitsch
Cardi Black Box
Xavier Hufkens
Vitamin creative space