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Haegue Yang’s “Quasi-ESP”

GALERIE CHANTAL CROUSEL, Paris

View of Haegue Yang’s “Quasi-ESP,” Galerie Chantal Crousel, Paris, 2017.
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Sofia Lemos

Not having a story to tell from the beginning or possibly starting from the middle is how Taoism describes time: continuity without a starting point. Stories abbreviate and expand in “intensiveness,” a term Haegue Yang uses, in dialogue with Jimmie Durham, to describe a mode that, similarly to belief, can... continue reading
Paris Roundup

VARIOUS LOCATIONS, Paris

View of Galerie Karsten Greve's stand at FIAC, Paris, 2017.
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Tom Jeffreys

The wide eyes and open mouth of a child are a reminder that, even at art fairs, there is still space for the occasional moment of wonder. The girl has good taste: she’s enthralled by Endless (2012), a sculpture by Claire Morgan at the FIAC booth of Galerie Karsten Greve.... continue reading
Gordon Matta-Clark

MARIAN GOODMAN, Paris

Gordon Matta-Clark, Conical Intersect, 1975.
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Mara Hoberman

“If anything emerges to cut up, I’ll go anywhere, anytime”(1) wrote Gordon Matta-Clark in 1975. Earlier that year, Paris had come calling, and, at the invitation of the ninth edition of the Paris Biennale curated by Georges Boudaille, the artist realized Conical Intersect (1975). Photographs, photomontages, and film footage of... continue reading
View of Alina Szapocznikow's "Human landscape(s)," at Galerie Loevenbruck, Paris, 2016.
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Mara Hoberman

Best known for her alternately macabre and humorous sculptures—body parts cast in polyester resin, anthropomorphic wads of used chewing gum, plastic lamps featuring disembodied red lips or pink breasts, and Carrara marble belly rolls—Alina Szapocznikow also made hundreds of drawings over the course of her short career. Following a renewed... continue reading
View of Corita Kent's "Resurrection of the Spirit," Galerie Allen, Paris, 2015.
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Mara Hoberman

In difficult times, we look to the past for comfort and clarity. In the wake of France’s deadliest attacks since World War II, Corita Kent’s late 1960s and early 1970s silkscreens promoting pacifism and tolerance take on an unexpected urgency. Planned well before terrorists killed 130 Parisians, Galerie Allen’s exhibition... continue reading
View of FIAC, Paris, 2015.
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Claire Moulene

Emancipation. Such could be the keyword of this FIAC week in Paris. Since its 2003 takeover by the duo Martin Béthenod and Jennifer Flay (and then by the latter, on her own), the grand old lady that is FIAC has regained the golden splendor of the Grand Palais and the... continue reading

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galeria nara roesler
Tulips & Roses
Hilger
GALLERIA MASSIMODELUCA
Camera Austria
Anton Kern Gallery
Art Newspaper
Xavier Hufkens
Marion
Cardi Black Box
Michael Kon
Brooklyn Rail
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