REVIEWS

/ Taipei
Manon de Boer, Resonating Surfaces, 2005.
by

Wendy Vogel

The title of the tenth Taipei Biennial, “Gestures and Archives of the Present, Genealogies of the Future,” includes everything but the term hammered throughout the exhibition: history. Curated by Corinne Diserens, this biennial departs from the 2014 edition helmed by Nicolas Bourriaud on the theme of accelerationism. Where Bourriaud’s apocalyptic-yet-seductive... continue reading
Surasi Kusolwong, Golden Ghost (Reality Called, So I Woke Up), 2014.
by

Laura McLean-Ferris

“The Great Acceleration: Art in the Anthropocene,” curated by Nicolas Bourriaud, casts human subjects as both increasingly ghostly, stressing limitations and finitudes, as well more aligned with the organic, strange, and sensory. In other words: both more dead and more alive. These qualities have been thrown into relief by the... continue reading

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