REVIEWS

/ Tallinn
View of Olga Chernysheva's “Algunas Canciones Lindas,” Temnikova & Kasela, Tallinn, 2017.
by

Ana Teixeira Pinto

Ever since the end of the Cold War, an aesthetics of mourning has characterized contemporary art’s understanding of its own critical history. “Burdened with a sadness it cannot dispel,” several generations have been delving into these “realms of defeated utopia,” looking back rather than forward.(1) At Temnikova & Kasela, Tallinn,... continue reading

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