Geoffrey Farmer’s lyricism of control is on show at Catriona Jeffries Gallery, although this time with a new suggestion of malignity. Farmer is an exponent of the artistic practice of finding a part of a derelict, languishing image, or two, or more, and through juxtapositions translating these elements into novel,...
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Shopfront esoterica and modernist sculpture rub shoulders in “Tell Her Nothing She Tells All,” Myfanwy MacLeod’s current exhibition at Catriona Jeffries, Vancouver. Borrowing its title from a slogan common to psychic shops, the show continues MacLeod’s interest in using pop and vernacular languages to, as she puts it, “speak to...
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The adjective shared by most of the work in this exhibition is “dramaturgical.” So I want to stage this review in three different “acts,” each of which deals with some aspect of the exhibition.
Act One: Theatricality. The original impetus of “People Things Enter Exit” was to put the work of...
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