REVIEWS

Richard Serra, 7, 2011, framed by the Doha skyline.
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Ana Teixeira Pinto

It is day one of my press trip to Doha, Qatar, and our itinerary starts with a walk around the pier adjacent to the Museum of Islamic Art, which culminates in Richard Serra’s 7. As we approach the massive sculpture, a journalist walking by my side confides, “I was here... continue reading
Kutluğ Ataman, Mayhem, 2011.
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Arnaud Gerspacher

If you’re overly tapped into art world tropes or academic hotspots, it’s tempting to think that there would be little new to offer in the archival impulse, in interrogating documentary conventions, or in playing with the effects fictions have on the facts. But like Harun Farocki, Amar Kanwar, or Omer... continue reading
Hito Steyerl’s “Adorno’s Grey”

WILFRIED LENTZ, Rotterdam

Hito Steyerl, Adorno´s Grey, 2012, detail.
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ADAM KLEINMAN

In 1969, amidst growing student protests across Germany, three female students bared their breasts during a lecture by Theodor W. Adorno; they then proceeded to shower him with flower petals. This protest, as it were, was a probable rebuttal to the German philosopher’s summoning... continue reading
Invitation card for Nairy Baghramian's "Fluffing the Pillows" at Galerie Buchholz, Cologne.
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Katharina Neuburger

All of the signifiers are already there: a postage-stamp image of a sailor in full sailor garb hoisting a mainsail, the stylized trace of its having already been posted, the otherwise blank postcard just waiting to be filled with some carefree lines about warm summer evenings. It’s the invitation to... continue reading
Damaged books and materials from Printed Matter's flooded basement line the sidewalk on Tenth Avenue.
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Kareem Estefan

From houses scorched to the earth in Breezy Point, Queens, to homes completely swept away in Staten Island, when it came ashore late last month Hurricane Sandy wreaked unprecedented havoc on life as we know it in New York City. The storm cut off power for nearly a million New... continue reading
Artissima

OVAL – LINGOTTO FIERE, Turin

View of Artissima fair, 2012.
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Filipa Ramos

Recalling Gertrude Stein’s “Rose is a rose is a rose is a rose,” we could equally say that an art fair is an art fair is an art fair is an art fair. And the 19th edition of Artissima—a fair with a well-deserved reputation for quality—moved a step away from... continue reading

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