REVIEWS

View of Zardulu the Mythmaker’s “Tricconis Aeternis: Rites and Mysteries” at Transfer Gallery, New York, 2018.
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Ania Szremski

The summer of 2018 was grifter season. Starting sometime in May, a strange coterie of glittering personages came coasting along: hustling socialites, scurrilous aventuriers, faux–Saudi princes. The hoax has always had a special place in American mythology, from a newspaper editor convincing his readers there were unicorns on the moon... continue reading
Paris Roundup

VARIOUS LOCATIONS, Paris

Lang & Baumann, view of Street Painting #10, 2018, between the Grand Palais and Petit Palais, FIAC, Paris, 2018.
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Lauren Mackler

Stamina This is by no means comprehensive, so I’ll get my highlights out of the way. Rounding down, and starting with the experiential: I found the hunt for the various venues of Avant-Première compelling. This casually organized event was comprised of small Parisian galleries and emerging ventures opening their shows a... continue reading
“12th Gwangju Biennale: Imagined Borders”

12TH GWANGJU BIENNALE, Gwangju

View of “The Art of Survival: Assembly, Sustainability, Shift,” curated by Kim Man seok, Kim Sung woo, and Chong-Ok Paek, Asia Cultural Center, Gwangju, 2018.
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Amy Zion

What is art’s role when geopolitical tensions run high and technology makes it difficult—perhaps even irresponsible—to tune out of the perpetual state-of-emergency news cycle that promises, and often delivers, news that impacts the daily lives of people near and far. That’s a reasonable question on many curators’ minds when they... continue reading
Trisha Baga, Mollusca & The Pelvic Floor, 2018.
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Leo Goldsmith

Trisha Baga’s third exhibition at Greene Naftali is also her most ambitious. “Mollusca & The Pelvic Floor,” like its cosmically hilarious and dizzyingly psychedelic predecessors, features a dazzling and untidy collection of found, handmade, and moving-image works: from doctored lenticular posters of human anatomy to idiosyncratic ceramic representations of everyday... continue reading
“Heavenly Beings: Neither Human nor Animal”

MUSEUM OF CONTEMPORARY ART METELKOVA, Ljubljana

View of “Heavenly Beings: Neither Human nor Animal” at Moderna galerija, Ljubljana, 2018.
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Alenka Gregoric

“[A]re humans able to resist together with plants and animals?”(1) With this question, Zdenka Badovinac and Bojana Piškur invite viewers to consider the possibility that all living things can coexist—and co-resist. Most animals are so dependent on human actions and choices for their survival: they likely do not ponder ways... continue reading
London Roundup

VARIOUS LOCATIONS, London

View of Julia Scher, Guards, Hidden Camera, at Frieze Art Fair, London, 2018.
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Mariana Canepa Luna

Just as Frieze Art Fair opened last Wednesday, Prime Minister Theresa May gave her keynote speech—and dared to dance again—at the Conservative Party Conference in Birmingham. She announced that freedom of movement would be terminated “once and for all” by limiting access to “highly skilled workers” (in short, migrants earning... continue reading

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GALLERY

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ARTIST

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The Third Line
Camera Austria
Sprueth Magers
flashart
Xavier Hufkens
Kaleidoscope
art-agenda
Aperture
Carolina Nitsch
sp-arte
Afterimage
Spike
Peres Projects