All of the signifiers are already there: a postage-stamp image of a sailor in full sailor garb hoisting a mainsail, the stylized trace of its having already been posted, the otherwise blank postcard just waiting to be filled with some carefree lines about warm summer evenings. It’s the invitation to... continue reading

From houses scorched to the earth in Breezy Point, Queens, to homes completely swept away in Staten Island, when it came ashore late last month Hurricane Sandy wreaked unprecedented havoc on life as we know it in New York City. The storm cut off power for nearly a million New... continue reading

Recalling Gertrude Stein’s “Rose is a rose is a rose is a rose,” we could equally say that an art fair is an art fair is an art fair is an art fair. And the 19th edition of Artissima—a fair with a well-deserved reputation for quality—moved a step away from... continue reading

Füsun Onur (born 1938) is an artist whose practice is defined by the persistent use of modest materials. While her work recently met with a greater audience this summer at Documenta 13, in the local Istanbul context she has been showing with Maçka Sanat Galerisi since 1987. Her fifth solo... continue reading

One thing I have noticed about Mexico is a proclivity to let no part of an animal go to waste. Just the other night, I was in a famous twenty-four-hour taquería, El Borrego Viudo, and on the menu were not only cabeza (lamb’s head) and lengua (beef tongue), but also... continue reading

For more than ten years Kerry Tribe has carefully exploited the medium of film to coax a poetics of contradictions out of human mechanisms like memory, cognition, and perception. These subjective, internal workings are what we rely on to piece together a knowable world, though few would argue that their... continue reading