"Pathways to Everywhere," commissioned by The City of Calgary Public Art Program for the Jamieson Place building, continues Dennis Oppenheim's work in the Public Art- Architecture context that he has engaged during the past fifteen years.

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The next edition of PREVIEW BERLIN is scheduled to take off this coming autumn, October 8-10, 2010. The venue will once again be Berlin's historic Tempelhof Airport, PREVIEW BERLIN's home since 2007. For the 2010 edition, the fair will be moving to one of the hangars, showcasing 60 young national and international galleries.

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In the mid 1800's a box of national archives went missing during the Archive War causing Skydive's land to revert to its original deed. It stipulates that the land be granted to any group starting a socialist colony on the property. The works in this exhibition are proposals for this new colony.

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This spring's Public Art Fund Talks series features three artists whose works reinvent and extend the language of figurative sculpture for a new era. Neither literal portraits nor traditional monuments, their works push the expressive potential of sculptural forms and materials, marking a renewed interest in the figure in contemporary art.

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It is with great pleasure that Xavier Hufkens presents the new exhibition of Malcolm Morley. It comprises seven new oil paintings made by the artist between 2008 and 2010.

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"Who needs a world view?" This panel discussion caused a big rush during the 11th International Istanbul Biennial of Contemporary Art. There were very few visitors from Moscow, though one can easily find links to these reports in many Moscow blogs.

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The European Ceramic Work Centre (.ekwc) in 's-Hertogenbosch, the Netherlands, invites visual artists, designers and architects to apply for a residency in 2011 and offers plenty of opportunities for creating new ceramic art, design and architecture.

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'Martha Rosler reads Vogue' looks at the luxury magazine and the veils through which the amorous glances of commodities charm and fascinate with their illusions.

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Acclaimed artist William Kentridge makes his Metropolitan Opera debut directing the company premiere of Shostakovich's The Nose, based on the short story by Gogol.

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I hate nothing more than sugary photographs with tricks, poses and effects. So allow me to be honest and tell the truth about our age and its people. (August Sander, 1876-1964)

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Tim Van Laere Gallery is proud to announce its exhibition with Faris McReynolds (*1977, Dallas,Texas, lives and works in Los Angeles,California.). This is the artist's second solo exhibition at the gallery.

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The Dumbo Arts Center (DAC) presents BATTLEFIELDS, the first New York solo exhibition by Nebojša Šerić-Shoba. Taken over a 10-year period (from 1999 to 2009), the featured photographs, documentations of actual battlefields, call into question the autonomy of "place:" the disparity that exists between historical events and the geographic locations in which they occur.

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The Atlanta Contemporary Art Center is pleased to announce the opening of Substitute Teacher, an exhibition co-curated by Regine Basha and Stuart Horodner, which includes twenty emerging and established artists whose works act as an alternative syllabus for art-life learning.

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Addressing the present urban condition and reality of built environment, contemporary artists mine the mythos of modern architecture, its promises and conflicted legacy.

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I Spy: Surveillance and Security, a multidisciplinary project of the Sun Valley Center for the Arts, examines the relationship between surveillance, security and privacy in the early 21st century. A visual art exhibition is on view from February 26 through April 30.

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The news section features: Rajesh Punj's "Indian Spring Season" (UK); Michele Robecchis's "Dominó Caníbal: A Fight in Seven Rounds" (Murcia, Spain); "Asia Pacific Triennial: That's Entertainment" (Brisbane, Queensland) by Natalie King; "The Imaginary Museum" (N.Y.) by Gea Politi; "Ropac's New Halle," interview with Thaddaeus Ropac (Salzburg)

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Michael Kohn Gallery is pleased to announce its debut at this year's ADAA Art Show. Michael Kohn Gallery will be showing rare work from such pivotal artists as WALLACE BERMAN, BRUCE CONNER, JOHN MCLAUGHLIN, and the contemporary artistic duo SIMMONS & BURKE, who have manipulated and expanded the medium of collage to effectively represent our media and information-saturated society. In addition, Michael Kohn Gallery will also be showing artwork from MARK RYDEN, ANDY WARHOL, and PABLO PICASSO.

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Each year since 1988, art collector, software entrepreneur, and MoMA trustee Peter Norton has commissioned an art edition to celebrate the Christmas season and holidays. Created by artists represented in the Nortons' own collection, and sent as gifts to personal friends and members of the art community, these art objects are intended to foster engagement with the world of contemporary art.

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Closing out the experimental "In between" issue, our new editorial advisor from the classic experimental band Cabaret Voltaire joined forces with us to parallel 'music-journalism' with (art) media coverage.

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On 04.03.2010, jens fehring gallery will be opening an exhibition entitled i'm so grouchy featuring works by sculptor Niklas Klotz (born in 1968), a native of Dresden, Germany. The exhibition will open at 7:00 p.m. with an introduction by Prof. Dr. Achim Preiß from Bauhaus-Universität Weimar.

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On the occasion of the exhibition PastPresentFuture – The Fondazione Cariverona and UniCredit Group Collections: art for the city, to be held at the Palazzo della Ragione in Verona from 27th February until 3rd June, some 80 works of art belonging to the UniCredit Group Collection will be on show, together with eight masterpieces owned by the Fondazione Cariverona.

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Sara Rahbar was born in Tehran in 1976, but fled her birthplace during the period of immense upheaval that followed the revolution in Iran and the start of the Iran-Iraq war. This distance, this proximity is developed by the artist, based on memory, longing and inertia in inhabiting tensions of dual disjuncture.

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Collezione Maramotti is pleased to present DUE, an exhibition of new work by Margherita Manzelli. The exhibition includes two paintings of equal size on which the artist worked concurrently and which were created specifically for this project.

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The textual reference of the title functions as a kind of third term for the installation as a whole. There is in this work something of the intimacy of books: the material and atmospheric presence of (a) text. We find a drip or a tear, for instance, that breaks the frame in his photograph of an Yves Klein catalogue, so as to perhaps spring a leak in the subject.

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In celebration of the Adelaide Festival's 50th anniversary, the Visual Arts Program presents the inaugural Adelaide International 2010: Apart, we are together, curated by Festival Visual Arts Curator Victoria Lynn.

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Most collectors are not too reluctant to come up with rules for their collecting habits. Some buy only art that is no larger than an arms length, so they can carry it home as hand luggage.

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Constructive Spirit: Abstract Art in South and North America, 1920s-50s investigates the formative geometric abstract art movements of Argentina, Brazil, the United States, Uruguay and Venezuela. Opening on February 17 through May 23, 2010 at the Newark Museum, located in Newark, NJ, USA, this exhibition is the first to explore the conceptual connections and exchanges that existed between abstract artists in South and North America.

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From 25 February to 24 May 2010, the Centre de Cultura Contemporània de Barcelona presents "ATOPIA. Art and City in the 21st Century", the Centre's first exhibition devoted to contemporary art, curated by the director of the CCCB, Josep Ramoneda, and curator and art critic Iván de la Nuez.

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The Elusive State of Happiness is a major exhibition of the work of Ian Breakwell (1943-2005), a man with an eye for seeing the extraordinary in the ordinary. Breakwell was a world renowned prolific artist who took a multi-media approach to his observation of the minutiae of life through a wide range of media including dairies, film works, TV, audio and drawing.

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In March 2010, San Antonio celebrates its 25th annual Contemporary Art Month ("CAM"). After becoming an independent project in 2003, the organization's primary purpose is to organize and distribute a calendar of institutional and grassroots contemporary art events taking place in San Antonio during the month, as well as sponsoring a small number of events.

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