The exhibition CLOUDS AND TEARS radiates around what artist Michael Sailstorfer calls a solar cat. Perched in the rafters, the animal reaches it’s closed eyes toward a neon light as though absorbing its ecstatic energy. The meditative ... Read more →

Proyectos Monclova is pleased to present Josephine Meckseper’s first show with the gallery, and first solo exhibition in Mexico City. With a dual focus on protest and the culture of consumer capitalism, Meckseper’s work exposes the instability ... Read more →

Monika Sosnowska looks to architecture as the source material for her work, analyzing 1960s and ’70s socialist buildings from Poland where she grew up under the communist Eastern Bloc, and where she continues to live today. ... Read more →

Curated by Willy Kautz Participating artists: Ana Bidart, Sergio Camargo, Ulises Carrión, Hanne Darboven, Helen Escobedo, Verónica Gerber Bicecci, On Kawara, Leo Marz, Paulo Monteiro, Gabriel de la Mora, Edgar Orlaineta, Mauro Piva, Sebastián Romo, José Luis ... Read more →

To eat is to respond to need in the form of hunger and desire in the form of appetite. In Food for Thought Raúl Ortega Ayala serves up a visceral response to scenes of the gastronomically ... Read more →

kurimanzutto is pleased to present Ornament and Abstraction, Haegue Yang’s first solo exhibition at the gallery and her first in Latin America. Yang explores the language of visual abstraction through the affective power of materials. Her ... Read more →

Throughout his 50-year career Robert C. Morgan has been lauded as an author, lecturer, curator, and art historian. For decades he has maintained a rigorous studio practice in parallel to writing, showing his work in exhibitions ... Read more →

kurimanzutto is pleased to present Gabriel Orozco‘s most recent solo exhibition, which proposes a game where logos and the rules of the market are set against each other, as two forms of understanding an ever-growing capitalist ... Read more →

In 1927 Robert Musil wrote: “There is nothing in this world as invisible as a monument. They are no doubt erected to be seen—indeed, to attract attention. But at the same time they are impregnated with ... Read more →