Cover: Nari Ward, We the People (detail), 2011. Shoelaces, 96 × 324 inches. In collaboration with Fabric Workshop and Museum, Philadelphia. Collection Speed Art Museum; Gift of the Speed Contemporary, 2016. © Speed Art Museum.

Volume 22, Number 1

X-TRA, Los Angeles / USA

October 3, 2019
October 3, 2019


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Artist-driven criticism out of Los Angeles since 1997. Order your copy or subscribe now

In the issue: 

Artist's Project 
Battlefield ReX
by Margaret Haines 

Conversation
Everything Is Objectification: An Interview with Pippa Garner
by Nicole Miller

Features
Animal Worlds, Storytelling, and the Aesthetics of Wonder 
By Ciara Ennis 

Looking at a Picture, Illustrating an Idea 
By Susan Morgan 

Reviews
Kim Dingle, I Will Be Your Server (The Lost Supper Paintings)
by Claudia Ross 

Art and China after 1989: Theater of the World 
by Travis Diehl

Among Others: Sound Art in Mexico 
by Nick Herman
 
Nari Ward: We the People 
by Jordan Amirkhani

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X-TRA’s mission is to provoke critical dialogue about contemporary art. As a collective of artists and writers, we produce the quarterly art journal X-TRA, the website x-traonline.org, and public programs. Founded in Los Angeles in 1997, X-TRA collaborates with artists, writers, and institutions to generate meaningful content for a diverse contemporary art community.

Visit x-traonline.org to read, shop, donate, and find submission guidelines. 

Contact us: [email protected]

X-TRA is published by the nonprofit Project X Foundation for Art & Criticism, which is generously supported by The Andy Warhol Foundation for the Visual Arts, National Endowment for the Arts, California Arts Council, VIA Art Fund, Pasadena Art Alliance, The Los Angeles County Board of Supervisors through the Los Angeles County Department of Arts and Culture, The Buddy Taub Foundation, City of Los Angeles Department of Cultural Affairs, Jorgensen Foundation, Center for Cultural Innovation, and our patrons and subscribers.