Edouard Malingue Gallery, Hong Kong is thrilled to present R for Rhombicuboctahedron, Vol. 8 , a new chapter of The Critical Dictionary of Southeast Asia  (2012–present) by internationally acclaimed artist Ho Tzu Nyen ... Read more →

In the Half Life , the first solo exhibition in Asia of Phillip Lai (b. 1969 Malaysia/UK) at Edouard Malingue Gallery, Hong Kong is a group of new works by the artist whose gestures ... Read more →

A subtle tone pervades the space. The essence of a past temporality, a flutter of the senses, a trigger of distant memory. Dulcet yet melancholic, Elegy , Su-Mei Tse’s first solo show in Hong ... Read more →

Edouard Malingue Gallery is thrilled to announce Laurent Grasso’s major solo exhibition Élysée .  Élysée proposes a literal as well as figurative reflection on the aesthetics of power. Melding multiple ... Read more →

Samson Young’s 2018 solo exhibition at Edouard Malingue Gallery (Shanghai) entitled The highway is like a lion’s mouth follows from the English translation of a slogan that is familiar to Hong Kongers. Originating ... Read more →

Refresh, Sacrifice, New Hygiene, Infection, Clean, Robot, Air, Housekeeping, www.ayibang.com, Cigarette, Dyson, Modern People is an exhibition by the Taiwanese artist Chou Yu-Cheng, to be presented in November at Edouard Malingue Gallery, Shanghai. ... Read more →

Edouard Malingue Gallery is thrilled to announce the opening of its space in Shanghai, designed by BEAU Architects. Located in the West Bund, a new art hub where two private museums, art galleries, collector spaces and ... Read more →

one, maybe two Parsecs , Eric Baudart’s solo show at Edouard Malingue Gallery, Hong Kong refers to a unit of length or distance as coined to describe astronomical objects outside the solar system. Baudart ... Read more →

An a thousand-metre sea of blue tape stretches across the entrance to the gallery: tensely pulled at one metre or so above the ground, the viewer is invited yet challenged to step in, actively marking ... Read more →

Edouard Malingue Gallery is pleased to present  The Blissful Defect , the second solo exhibition in Hong Kong of celebrated Turkish contemporary artist Nuri Kuzucan (b. 1971, Turkey). The show builds on work from Kuzucan’s ... Read more →

Edouard Malingue Gallery is pleased to present There is no there there , the first international solo exhibition of critically acclaimed Chinese painter Yuan Yuan (b. 1973, China) at Malingue Gallery, Paris. Taking inspiration ... Read more →

Beams of artificial fluorescent light, pixelated images of grayscale sunrises, assembled screens of ad hoc roadside footage—these are but some of the elements in Ko Sin Tung’s visual dialogue with underground zones of construction: those ... Read more →

A slab of marble, a material associated with beauty, opulence, civilisations, tumults down a quarry, the simplicity of the gesture expressing at once a sense of suspension and a certain degree of inevitable fatality. ... Read more →

Delineated contours, a subconscious blur of decipherable imagery and extraneous elements, a wistful expressive tide between the figurative and the abstract—Edouard Malingue Gallery, Shanghai is pleased to present Celestial Phenomena , the first ever ... Read more →

Tropical sceneries that appear to scintillate; an amalgamation of distorted vegetables; the blurred vision of a seated mother and child—each are running explorations in Wang Zhibo’s (b. 1981, China) solo exhibition at Edouard Malingue Gallery, There ... Read more →

Edouard Malingue Gallery (Hong Kong) is pleased to present the second edition of Film Screening , a summer programme initiated in 2017 focusing on moving image. This iteration brings together six artists from Hong ... Read more →

Artists: Jeremy Everett, He Yida, Phillip Lai, Handiwirman Saputra, Tao Hui If but for a moment the inevitable fate of a point in time, or our perception of a thing, was ... Read more →

Edouard Malingue Gallery is thrilled to announce the very first solo exhibition in the UK of Tromarama curated by Ying Tan in collaboration with Open Eye Gallery. Part of the Liverpool Biennale fringe programme, Tromarama ... Read more →

As part of its curatorial projects, Edouard Malingue Gallery is pleased to present Clamour Can Melt Gold , a group exhibition that addresses the representation, cultural value and economy around the extraction of gold. ... Read more →

2014 was a special year for the artist Zheng Zhou. That year, he attempted all kinds of “destruction” in his paintings—discarding the rules of perspective and messing around with space. He did not seek the ... Read more →

Edouard Malingue Gallery, Shanghai will present the first exhibition in Mainland China by Turkish artist Nuri Kuzucan from May 12 to June 17, 2018. Born in 1971 in Zara, Turkey, Nuri Kuzucan graduated from Mimar ... Read more →

Delicate systematic scratches revealing a dual undertone; rhythmic yet ad hoc strokes whisking the painterly surface; fine wisps skirting the edges of the page. Each are elements composing the delicate, process-driven work of seminal Korean ... Read more →

Curated by Kit Hammonds As part of its curatorial projects, Edouard Malingue Gallery is pleased to present Balance Sheets , a group exhibition curated by Kit Hammonds. Bringing together works by Duncan Campbell, ... Read more →

Whether it be of a still-life, figure or landscape, Wang Zhibo’s recent paintings carry a repeated sense of "sketching from life" (xiesheng). Why is this so? Is it because the subjects she paints have no "meaning"? ... Read more →

Delicately transposed, it’s the displaced materiality in Eric Baudart’s works that spurs their contemporary resonance. Millimeter paper, mattress frames, doormats—everyday, commonplace elements are flushed of everyday context and repurposed to create oeuvres that titter on ... Read more →

Life After People , a 2008 documentary film broadcast on the History Channel in the US, conjectured: if every human being on Earth suddenly disappeared, what would the world turn into? The answer was ... Read more →

Life After People , a 2008 documentary film broadcast on the History Channel in the US, conjectured: if every human being on Earth suddenly disappeared, what would the world turn into? The answer was ... Read more →

Swarms of ochred colour flush the canvases; figures huddle in the foreground, conversant, anonymous; spectral homes occupy the painterly surfaces. As if recalled from distant mnemonic incidents, the various elements populate "Differentiation," the new series ... Read more →

Swarms of ochred colour flush the canvases; figures huddle in the foreground, conversant, anonymous; spectral homes occupy the painterly surfaces. As if recalled from distant mnemonic incidents, the various elements populate “Differentiation,” the new series ... Read more →

Delicately transposed, it is the displaced materiality in Eric Baudart’s works that spurs their contemporary resonance. A cluster of plastic rolls, millimeter paper, a desk and broom composition—commonplace utensils are flushed of everyday contextualisation and ... Read more →

Flashing, pop-like imagery; visual and auditory narrations that explicitly touch upon sex, politics and social relations; vibrant installations that extend into three dimensions the artist’s fantastical animation world—these are but cornerstones of Wong Ping’s (b. ... Read more →

Weaving notions of repetition and musicality, Choruses is a group exhibition presented by Silverlens, Manila at Edouard Malingue Gallery, Hong Kong as part of the two galleries’ ongoing collaborative exchange. Bringing together the ... Read more →

A figure suspended mid-flight; a mother and child, coiled beneath the tentative comfort of a wooden hut; two figures, man and woman, flung off the precipice of an island’s rim: these are but flickers of the ... Read more →

Edouard Malingue Gallery is pleased to present Panoramix , the first solo exhibition in Hong Kong of the Indonesian collective Tromarama. Established in 2006 in Bandung, Indonesia, and comprised of artists Febie Babyrose, Ruddy ... Read more →

A conceptual tool devised for this exhibition, “Mimeticism” differs from Realism in that, while the latter embraces countless definitions and means of realisation, the former advances along a narrow path. Mimeticism adheres to one technical ... Read more →

Seemingly random objects and shapes juxtaposed and exposed across a panoramic wallscape; graphs, chemical utensils, stacked paintings—a patchwork of colours and depths. An open-ended sentence, Chou Yu-Cheng’s (b. 1976, Taiwan) major installation and solo exhibition ... Read more →

A soft track envelops the space with the distant lullaby of Hawaiian slide guitar; a stream of warm yellow light seeps through a series of translucent panels; ordinary objects from water bottles to cement bags, ... Read more →

Canvases finely layered by traces of molecular paint pigment; flashing sequential imagery of an overturned milk truck, the unctuous fluid spreading across an indistinct American highway; a hanging metallic shard, an imposing vestige of Everett’s ... Read more →