REVIEWS

/ MAXIM IVANOV
Russian Pavilion: “Theatrum Orbis”

57TH VENICE BIENNALE, Venice

Grisha Bruskin, Scene from 2016-2017, 2017.
by

Maxim Ivanov

The reign of Stella Kesaeva and the Stella Art Foundation over the Russian Pavilion at the Venice Biennale ended in 2015. Over the course of three biennales, they showed western audiences works by the artists who secured Moscow conceptualism’s place in art history, and transformed it into an export commodity... continue reading

AUTHOR

view all

GALLERY

view all
Abc
Bq
Kow
M+B
Non
Vw

ARTIST

view all
Camera Austria
Deweer
Blum&Poe
The breeder
sp-arte
Afterimage
Peres Projects
Gallery Ernst Hilger
Sprueth Magers
X-TRA
Luisa Strina
Brooklyn Rail
Magazine Mousse