REVIEWS

/ Chert
View of Ruth Wolf-Rehfeldt, “SIGNS FICTIONS,” Chert, Berlin, 2015.
by

Doreen Mende

How can one detach oneself from the contemporary communicative capitalism that legitimizes the perpetual upgrading of governmental surveillance, as recently exemplified by certain state responses to the shootings at the offices of Charlie Hebdo in Paris? A valuable point of entry is the work of artists who lived under extreme... continue reading

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Brooklyn Rail
Cardi Black Box
P420
Friedrich Petzel
Gallery Ernst Hilger
Vitamin creative space
MIA Art Fair
sp-arte
Luisa Strina
Magazine Mousse
Camera Austria
Kaleidoscope
Peres Projects