REVIEWS

/ Marlborough Contemporary
View of Survival Research Laboratories’ “Inconsiderate fantasies of negative acceleration characterized by sacrifices of a non-consensual nature,” Marlborough Contemporary, New York, 2017.
by

Rob Goyanes

A modernist critical framework would have you believe that the difference between a machine and sculpture is the same as between politics and aesthetics: a machine uses power to fulfill a function, while a sculpture is all about form and taste. Knowing that this is bullshit—that there is no apolitical... continue reading

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