ANNOUNCEMENTS

Flash Art International

March 24, 2017
Courtesy Flash Art Books.  Courtesy Flash Art Books. 

Flash Art Books presents monograph on Zhao Zhao

We are pleased to announce the release of PROVOCATEUR, the first English monograph on the work of Chinese artist Zhao Zhao, featuring essays by Hou Hanru and Li Zhenhua. It will be presented at Art Basel Hong Kong and available for purchase at the Flash Art booth (no. 22). This new title examines Zhao Zhao's working practice, emblematic for art's ability to address conflict—social, political, and aesthetic—in a world undergoing... continue reading

X-TRA

March 24, 2017
   

X-TRA Spring 2017 issue in print and online

Announcing the publication of the Spring issue of X-TRA. X-TRA is a quarterly contemporary art journal, based in Los Angeles and founded in 1997. Edited by a collective of artists and writers, X-TRA publishes expansive features, historical essays, commissioned artist's projects, interviews, columns, and substantive reviews.  Zero, My Teacher Jan Tumlir Artist's Project / Patricia Fernández Memory Is In Progress: The Heart Triumph... continue reading

Art Paris Art Fair

March 24, 2017
Mohau Modisakeng, Endabeni 1, 2015. Courtesy WHATIFTHEWORLD, Cape Town/Johannesburg. Mohau Modisakeng, Endabeni 1, 2015. Courtesy WHATIFTHEWORLD, Cape Town/Johannesburg.

Art Paris Art Fair 2017: opening and program

From March 30 to April 2, 2017, Art Paris Art Fair brings together 139 galleries from 29 different countries, representing 1,550 artists, at the Grand Palais. The 2017 edition, bolstered by the presence of many leading modern art galleries, focuses in particular on trends in European art from the post-war years until the present day, whilst welcoming emerging artists from all around the world.... continue reading

REVIEWS

Double Take—Whitney Biennial 2017
WHITNEY MUSEUM OF AMERICAN ART, New York
View of Whitney Biennial 2017, Whitney Museum of American Art, New York, with works by Kaari Upson.

by CHRIS SHARP AND GENEVIEVE YUE

Double Take is a feature of art-agenda in which two authors review the same exhibition. Written independently, the two texts share the same images and are published below. —by Chris Sharp The stakes surrounding this Whitney Biennial are, to say the least, high. Indeed, it’s hard to imagine a biennial being under... continue reading

Sharjah Biennial 13: Tamawuj
SHARJAH ART FOUNDATION, Sharjah
Official Opening of Sharjah Biennial 13.

by MELISSA GRONLUND

Bottles of seawater sit among makeshift red flags on charred concrete breezeblocks. “It’s like a fire,” says the artist, Dineo Seshee Bopape, of her installation, +/– 1791 (monument to the haitian revolution 1791) (2017), which is scattered about the courtyard of one of Sharjah Art Foundation’s warren of spaces. Small... continue reading

Judith Bernstein’s “Cock in the Box”
THE BOX, Los Angeles
Judith Bernstein, Judith, 2017.

by SABRINA TARASOFF

There is no image more prescient of modern displays of masculinity and status than Judith Bernstein’s drawing COCK IN THE BOX (1966), inspired by a history of Vietnam-era bathroom-stall graffiti. Whether those lewd sketches were made to parody politics in wartime, as comic relief for those on the john, for... continue reading

DOSSIER

Anton Kern Gallery
Marion
sp-arte
flashart
X-TRA
Afterimage
Art Newspaper
The Third Line
art-agenda
MIA Art Fair
The breeder
Kaleidoscope
Air the paris