ANNOUNCEMENTS

Frieze

May 26, 2017
Kiluanji Kia Henda, Under the Silent Eye of Lenin, 2017. Installation and performance. Courtesy the artist.  Kiluanji Kia Henda, Under the Silent Eye of Lenin, 2017. Installation and performance. Courtesy the artist. 

Kiluanji Kia Henda receives the Frieze Artist Award 2017

Kiluanji Kia Henda is the winner of the 2017 Frieze Artist Award. From October 4 to 8, Kia Henda will realize a new installation at Frieze London as part of Frieze Projects, the fair’s celebrated non-profit programme, curated by Raphael Gygax. Frieze Projects and the Frieze Artist Award are supported by the LUMA Foundation. Following an open call, artist applications were received from more than 82 countries. Kia Henda’s proposal was... continue reading

Fortes D'Aloia & Gabriel | Carpintaria

May 25, 2017
Exhibition view at Carpintaria, Rio de Janeiro, Brazil. Exhibition view at Carpintaria, Rio de Janeiro, Brazil.

Beatriz Milhazes at Fortes D’Aloia & Gabriel—Carpintaria

A painter par excellence, Beatriz Milhazes has recently come to investigate the possibilities and challenges of sculpture. The result of this process initiated in 2010 can be seen in the show Marola, Mariola and Marilola at Carpintaria, Fortes D'Aloia & Gabriel's new space in Rio de Janeiro. There are three large tri-dimensional pieces, whilst in harmony with her paintings, prints and collages, they propose a novel and riveting perceptive... continue reading

Esker Foundation

May 25, 2017
Jason de Haan, Geyser Sustaining Alien Tropicals, 2011. Courtesy the artist and Clint Roenisch Gallery, Toronto. Jason de Haan, Geyser Sustaining Alien Tropicals, 2011. Courtesy the artist and Clint Roenisch Gallery, Toronto.

Summer 2017 exhibitions at Esker Foundation

Calgary-based artist Jason de Haan has developed an interest in proposing and undertaking projects in which particular environments, natural conditions, and massive time scales complete, animate, and determine his multidisciplinary practice. The work most clearly deals with fleetingness, vulnerability, and the fragility of the natural world in a way that considers the limits of human perception and influence. The tangible traces of the... continue reading

REVIEWS

New York City Roundup
VARIOUS LOCATIONS, New York
Robert Longo, Untitled (Raft at Sea), 2016–2017.

by ORIT GAT

As I missed out on international art events this season because New York is so far away, all I could think of was how unlucky their curators are. You work on Venice or Documenta for a year or two or four. You start out researching when there’s a somewhat liberal... continue reading

Edgardo Antonio Vigo’s “Un Arte A Realizar [An Art In Becoming]”
RICHARD SALTOUN GALLERY, London
View of Edgardo Antonio Vigo’s “Un Arte A Realizar [An Art In Becoming],” Richard Saltoun Gallery, London, 2017.

by GUSTAVO GRANDAL MONTERO

“Un Arte A Realizar [An Art In Becoming]” is the first solo exhibition in the UK dedicated to the Argentinian artist Edgardo Antonio Vigo, who died in 1997. Relatively unknown in Europe, his name has until recently been associated with mail art, that most underrated of avant-garde movements. The exhibition... continue reading

Maria Taniguchi
TAKA ISHII GALLERY, Tokyo
View of Maria Taniguchi, Taka Ishii Gallery, Tokyo, 2017.

by CAMERON ALLAN MCKEAN

Earth-stuff goes through myriad transformations on its path to usefulness in our world. Soil, stone, water, oil, plants, animals, and the rest all pass through processes of cleaning, smoothing, separating, reconstituting. And at the end of that violence is an exquisite, terrifying flatness: one that expresses itself through identical buildings,... continue reading

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