ANNOUNCEMENTS

Kreëmart

September 21, 2017
Courtesy Kreëmart Courtesy Kreëmart

Kreëmart and Ladurée launch Marina Abramovic "Pastry Portrait"

Kreëmart and Ladurée are proud to present Marina Abramovic’s Taste as the first subject of the "Pastry Portrait" by Raphaël Castoriano, a collection embodying identity in the form of taste. For this unprecedented and unique undertaking, Ladurée and Castoriano worked closely with the artist to curate every aspect of the Taste and the pastry. Castoriano chose Marina Abramovic as the first subject to introduce the concept of the Pastry... continue reading

The Merchant House

September 20, 2017
Left: Sylvie Bonnot, Pain de Sucre Rouge II, St Léger, 2017. Right: Zhu Hong, La photographie dans l’art contemporain, 2009. Courtesy of the artists. Left: Sylvie Bonnot, Pain de Sucre Rouge II, St Léger, 2017. Right: Zhu Hong, La photographie dans l’art contemporain, 2009. Courtesy of the artists.

Sylvie Bonnot & Zhu Hong at The Merchant House

How does a young artist inscribe herself in the history of photography? The Merchant House (TMH) opens its cycle Making Things Happen: Young Artists in Dialogue with Zhu Hong (1975, France, born in China) and Sylvie Bonnot (1982, France), who use photography as a point of departure and idiosyncratic return. They chose to center the show on reciprocal wall art rooted in their approach to work as an itinerant practice, now extending to Amsterdam.... continue reading

Ace Gallery

September 20, 2017
Sreshta Rit Premnath, &&&, 2017. Laser print mounted on corrugated plastic, aluminum, 96 x 198 x 50 inches. Courtesy of ACE Gallery. Sreshta Rit Premnath, &&&, 2017. Laser print mounted on corrugated plastic, aluminum, 96 x 198 x 50 inches. Courtesy of ACE Gallery.

Sreshta Rit Premath at Ace Gallery

For his first solo exhibition in Los Angeles, Sreshta Rit Premnath presents Falling, a multi-part exhibition linking two projects titled Plot and Cadere/Rose.  The "Cadere" in Premnath's Cadere/Rose, refers both to the word falling in Italian, as well as to André Cadere (1934–78), the Polish-born artist who acquired a reputation of a crank in the Paris art world of the 1970s, by leaning works of his, known as "Barres de Bois... continue reading

REVIEWS

15th Istanbul Biennial, “a good neighbour”
VARIOUS LOCATIONS, Istanbul
Latifa Echakhch, Crowd Fade, 2017.

by JOERG HEISER AND BEN EASTHAM

Double Take is a feature of art-agenda in which two authors review the same exhibition. Written independently, the two texts share the same images and are published below. —by Jörg Heiser Given the current political situation in Turkey, I wouldn’t have been surprised if the curators of this year’s Istanbul Biennial, Berlin-based... continue reading

Art Berlin View of Nagel Draxler, Berlin, at Art Berlin 2017.

by STEFAN KOBEL

Can the German art market support four art fairs? The battle over market share is in full swing. Art Karlsruhe is a bit out of the game. Although it seems like a major event with more than 200 exhibitors, it can only cater to the country’s southwestern local audience due... continue reading

“The Space of Dreams”
GALERIA MAYORAL, Barcelona
View of “The Space of Dreams,” Galería Mayoral, Barcelona, 2017.

by INGO NIERMANN

Earlier this summer, after a public talk between Elena Sorokina and my wife, Chus Martínez, the three of us were invited by Eduard Mayoral of Galeria Mayoral to dinner. We hadn’t yet reached dessert when Eduard asked us what to make of Salvador Dalí. They were about to open a... continue reading

DOSSIER

Friedrich Petzel
P420
Hilger
GALLERIA MASSIMODELUCA
Art Newspaper
Peres Projects
galeria nara roesler
Marion
The breeder
Blum&Poe
Gallery Ernst Hilger
Cardi Black Box
X-TRA