ANNOUNCEMENTS

Casa Nova Arte e Cultura Contemporânea

August 31, 2016
(1) Olaf Breuning, <i>Home</i> (still), 2005. VIdeo. Courtesy of the artist. (2) Kiluanji Kia Henda, <i>The bad guys and good guys, </i>2016<i>. </i>Courtesy the artist and Filomena Soares Gallery. (3) Henrique Alvim Corrêa, <i>Drawing for The War of the Wolds</i>, 1906. (1) Olaf Breuning, Home (still), 2005. VIdeo. Courtesy of the artist. (2) Kiluanji Kia Henda, The bad guys and good guys, 2016. Courtesy the artist and Filomena Soares Gallery. (3) Henrique Alvim Corrêa, Drawing for The War of the Wolds, 1906.

Ulla, Ulla, Ulla, Ulla! Martians, Intergalactics and Humans at Casa Nova Arte e Cultura Contemporânea

Casa Nova Arte e Cultura Contemporânea is pleased to announce the exhibition Ulla, Ulla, Ulla, Ulla! Martians, Intergalactics and Humans, parallel to the 32nd São Paolo Biennial the show is curated by Jane de Almeida. Ulla Ulla is the sound of the Martian ships of H. G. Wells. A hundred years ago the Russian poet Velimir Khlebnikov in his manifesto "The trumpet of Martians" makes a call through "Ulla Ulla" to reflect on art and invention.... continue reading

Art Cologne

August 31, 2016
The Cologne cathedral. © Koelnmesse. The Cologne cathedral. © Koelnmesse.

Art Cologne 2017 introduces NEUMARKT sector

For its 51st edition from April 26 to 29, 2017, the "Internationale Kunstmarkt" restructures the the sections for young and emerging art (Hall 11.3) and provides a central platform for young galleries with the new concept NEUMARKT. The new format NEUMARKT gives young galleries, who are under ten years old, the opportunity of presenting themselves on three different sized stands. With NEUMARKT, young galleries starting in 2017 will have the... continue reading

curated by_vienna

August 30, 2016
   

curated by_vienna 2016: exhibitions on Diedrich Diederichsen’s "My Origins? I Made Them Up"

Vienna's leading contemporary art galleries will be presenting exhibitions about Diedrich Diederichsen's essay "Meine Herkunft habe ich mir selbst ausgedacht" (My Origins? I Made Them Up) What motivates artists to increasingly turn to role models and how do the associated tributes, references, citations and appropriations reveal themselves in the various works? Which continuities in terms of creating, but also breaking away from a role model... continue reading

REVIEWS

Spaces—The Sexual Potential of the Gallery The Kallang-Paya Lebar Expressway, Singapore.

by AMANDA LEE KOE

Spaces is a feature of art-agenda that proposes a thematic examination of galleries based on the analysis of their physical and spatial configurations. Every two months, art-agenda publishes a new reflection on the spatial characteristics of galleries, their architecture, identity, and relation with their historical and geographical context. The fifth... continue reading

Michael Rakowitz’s “The invisible enemy should not exist”
BARBARA WIEN, Berlin
View of Michael Rakowitz’s “The invisible enemy should not exist,” Barbara Wien, Berlin, 2016.

by ANA TEIXEIRA PINTO

The Invisible Enemy Should Not Exist (Aj-ibur-shapu), from which Michael Rakowitz’s exhibition at Barbara Wien in Berlin borrows its name, was how the street which ran through the gate of Ishtar, in ancient Babylon, was known. Built around 575 BC under King Nebuchadnezzar II and dedicated to the goddess Ishtar,... continue reading

Mark Leckey’s “UniAddDumThs”
GAVIN BROWN'S ENTERPRISE, Rome
View of Mark Leckey's "UniAddDumThs," Sant'Andrea De Scaphis, Gavin Brown's enterprise, Rome, 2016.

by VALERIO MANNUCCI

Mark Leckey’s exhibition at Sant’Andrea de Scaphis, the Roman location of Gavin Brown’s enterprise, is the latest iteration of a series running back to the 2013 Hayward Touring show “The Universal Addressability of Dumb Things.” The original display took inspiration from digital images collected on Leckey’s hard drive, physical instantiations... continue reading

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