SHOWS
Grand Arts
January 27, 2012
Mariah Robertson, Let's Change. Photo courtesy the artist. 86B, C-print, 2010.
New work by Mariah Robertson
Grand Arts is pleased to announce Let's Change, a new installation by Brooklyn-based artist Mariah Robertson. This solo exhibition opens on Friday, January 20th, 2012 with an opening reception from 6–9pm. The exhibition will remain on view through April 7th, 2012. Working primarily as a photographer, Robertson's work explores analog photographic processes in non-traditional ways. In an age dominated by the immediate pleasures of digital... continue reading
NERO
January 27, 2012
Fondazione Giorgio e Isa de Chirico presents D’après Giorgio
On Friday January 27th opens the exhibition-project D'après Giorgio, conceived and curated by Luca Lo Pinto at House-museum Giorgio e Isa de Chirico. Several Italian and international artists of different generations are invited to dialogue with the works, the objects and the architecture of Giorgio de Chirico's House-museum. The show will evolve within the space of a year and involves artists intentionally heterogeneous in their... continue reading
Michael Kohn Gallery
January 27, 2012
Rosa Loy, Reich, 2010. Casein on canvas, 51 ¼ x 67 inches.
Rosa Loy’s Convocation at Michael Kohn Gallery
The Michael Kohn Gallery is pleased to present its first solo show with German artist, Rosa Loy. This body of work will be comprised of new paintings as well as a careful selection of older work that was recently on view in a joint exhibition with Neo Rauch at the Essl Museum in Austria. Working within an art movement in contemporary German painting referred to loosely as the New Leipzig School, Rosa Loy's aesthetic relates to the... continue reading
REVIEWS
Whatever their intentions, posthumous gallery exhibitions rarely feel sincerely elegiac. Even the most reverential show can make the cynic in us suspect efforts to stoke the market for the master’s remnants. This is not the case here. In contrast to the citywide retrospection of “Pacific Standard Time,” the current bonanza... continue reading
Michael Wang’s recent one-week exhibition, “Carbon Copies,” had nothing to do with those antiquated, inky sheets necessary before the advent of more efficient means of reproduction. For one thing, Wang’s work was nowhere near as messy. A trained architect, he used his first solo exhibition to “copy” twenty contemporary artworks... continue reading
The show ended in chaos, typically. On Saturday, January 14th, two incongruous flutists drifted into the exhibition space filled with visitors bending and shaking the cacophonous sculptures. It’s a scene that is only an amplified version of any given afternoon during the exhibition, throughout which the artists, Ei Arakawa and... continue reading
