ANNOUNCEMENTS

Rampa Istanbul

April 29, 2016
Ergin Cavuşoğlu, La Piscine I, 2016. Diasec print 50 x 74.67 cm. Courtesy of the artist and Rampa Istanbul. Ergin Cavuşoğlu, La Piscine I, 2016. Diasec print 50 x 74.67 cm. Courtesy of the artist and Rampa Istanbul.

Rampa Istanbul at Frieze New York 2016

For Frieze New York 2016, Rampa will present works by Ergin Çavuşoğlu (Bulgaria, 1968), Nilbar Güreş (Istanbul, 1977), Gülsün Karamustafa (Ankara, 1946), and Erinç Seymen (Istanbul, 1980). Concurrent with Ergin Çavuşoğlu's solo exhibition at Rampa Istanbul, Which sun gazed down on your last dream?, Rampa's Frieze New York booth acts as a mirror to said exhibition. From new sculptures to video, painting, and drawing, Çavuşoğlu's... continue reading

inCube Arts

April 28, 2016
Yan Xing, DADDY Project, 2011. Single channel digital video, 58:27 minutes, edition of 4. Courtesy of the artist and Galerie Urs Meile, Beijing-Lucerne. Yan Xing, DADDY Project, 2011. Single channel digital video, 58:27 minutes, edition of 4. Courtesy of the artist and Galerie Urs Meile, Beijing-Lucerne.

inCube Arts presents Son: Signal of Authority

Son, in modern era, is often portrayed as one who constantly strives to free himself from the Father. The modern Son is the Son that tends to forget, split, subvert and self-authorize.    Yet, Son always signals something that is outside of and superior to him, which presents itself as the Authority. Son could never truly be detached as he claims. The emancipation of modern Son, therefore, remains problematic. Highlighting works of four... continue reading

Galeria Nara Roesler

April 27, 2016
Courtesy of Galeria Nara Roesler & Eduardo Navarro. Courtesy of Galeria Nara Roesler & Eduardo Navarro.

Galeria Nara Roesler working with Eduardo Navarro

Galeria Nara Roesler is pleased to announce that we will represent Eduardo Navarro. Eduardo Navarro's main solo exhibitions include: Órbita, UTDT (2013); and Estudio Jurídico Mercosur, Faena Arts Center (2012), both in Buenos Aires. His work has appeared in exhibitions including Surround Audience, New Museum Triennial, New York; The Past, The Present, The Possible, Sharjah Biennial (both 2015); We, the outsiders, e-flux, New York; Ir para... continue reading

REVIEWS

“Images”
FRIDERICIANUM, Kassel
Pierre Huyghe, I Do Not Own Snow White, 2005.

by ANTJE STAHL

Annlee quietly welcomes you to the Fridericianum’s ticket counter. Though she is still invisible, her voice embraces those standing in the great entrance hall of the museum. “Can you imagine me?” she asks melancholically, “I can imagine you… It’s easy. I can see you. And I can see her.” Her... continue reading

EVA International: “Still (the) Barbarians”
VARIOUS LOCATIONS, Limerick
Kemang Wa Lehulere, Teeth are the only bones that show, 2016.

by AOIFE ROSENMEYER

In her catalogue introduction, Koyo Kouoh calls Ireland “the first and foremost colonial laboratory of the British enterprise.” It’s a striking statement from the curator of EVA International biennial in Limerick. Titling the biennial “Still (the) Barbarians,” Kouoh uses it as a platform to consider how the legacies of colonialism... continue reading

Liu Ding’s “Li Jianguo Born in 1952”
ANTENNA SPACE, Shanghai
View of Liu Ding’s “Li Jianguo Born in 1952,” Antenna Space, Shanghai, 2016.

by HEIDI BALLET

Some twenty years after the founding of the People’s Republic of China a proposal was made to change the traffic rules so that cars would stop at green lights and go at red, because red was the designated color of action. In the same spirit, citizens named their children after... continue reading

DOSSIER

art-agenda
X-TRA
Vitamin creative space
GALLERIA MASSIMODELUCA
Gallery Ernst Hilger
Brooklyn Rail
galeria nara roesler
Friedrich Petzel
Anton Kern Gallery
Sprueth Magers
Magazine Mousse
Carolina Nitsch
Marion