ANNOUNCEMENTS

Fondazione Furla

October 23, 2014
Vanessa Beecroft, 2014. Title by Jeffrey Deitch. Vanessa Beecroft, 2014. Title by Jeffrey Deitch.

Fondazione Furla announces "The Nude Prize:" The Premio Furla 2015 shortlist

Five young Italian curators, paired with five foreign colleagues, have selected the five finalists for the tenth edition to be held this year in Milan's Palazzo Reale. Vanessa Beecroft is the guiding artist for the 2015 Furla Art Award and chairs the international jury that will name the winner. The Fondazione Furla and the Cultural Office of the City of Milan are glad to announce the five artists who have been shortlisted for the Premio... continue reading

Nicolas Krupp Contemporary Art

October 23, 2014
Peter Friedl, Untitled (Mohammed Abu Khdeir), 2014. Ink, pencil, watercolor on paper, 29.7 x 21.1 cm. Courtesy of the artist and Nicolas Krupp, Basel. Peter Friedl, Untitled (Mohammed Abu Khdeir), 2014. Ink, pencil, watercolor on paper, 29.7 x 21.1 cm. Courtesy of the artist and Nicolas Krupp, Basel.

Peter Friedl at Nicolas Krupp Contemporary Art

Nicolas Krupp is proud to present a new solo exhibition by Berlin-based artist Peter Friedl. The artist's fifth show at the gallery is dedicated entirely to his works on paper spanning five decades. Friedl's multifaceted works and projects—consistently heterogeneous in terms of medium, style, and meaning—have been repeatedly acknowledged as models: as exemplary articulations and solutions of aesthetic problems involving political and... continue reading

Marsèlleria

October 22, 2014
Invernomuto, Wondo Genet - preliminary study, 2014. Collage. Courtesy of the artists and Marsèlleria. Invernomuto, Wondo Genet - preliminary study, 2014. Collage. Courtesy of the artists and Marsèlleria.

Invernomuto at Marsèlleria

Marsèlleria presents a solo show by the artistic duo Invernomuto, from Thursday 23 October to Saturday 29 November.  The exhibition is designed as an overview of the last three years of artistic research and production by the duo, comprising Simone Bertuzzi and Simone Trabucchi. It takes the form of a narrative and reflection on themes generating varied, multi-faceted content that is at the same time harmonious and coherent.  The exhibition... continue reading

REVIEWS

FIAC
FIAC, Paris
View of FIAC, Paris, 2014.

by SABRINA TARASOFF

“Is there sexual innuendo in the artworld?”(1) Cady Noland, in response to this question posed by John Waters and Bruce Hainley in Art: A Sex Book (2003), answered with a very prompt: “Yes. ‘Euphemisms.’” According to the infamous artworld absentee, artists and dealers are screwed, and often engaged in “one... continue reading

Pierre Huyghe’s “In. Border. Deep”
HAUSER & WIRTH, London
View of Pierre Huyghe’s “In. Border. Deep,” Hauser & Wirth, London, 2014.

by JEREMY MILLAR

Amber is a form of slow catastrophe, a long compression. A transformation, then, of the resin which once flowed thickly down branch and trunk before these extremities were replaced by those of heat and pressure found deep within chthonic sedimentation. A “beaming sun” (elektron) caught underground, amber’s classical name was... continue reading

“Let The Body Be Electric, Let There Be Whistleblowers”
DAN GUNN, Berlin
View of “Let The Body Be Electric, Let There Be Whistleblowers,” Dan Gunn, Berlin, 2014.

by STEFAN HEIDENREICH

There is a problem facing the history of media: that time can not be represented independently of the technologies of information. We cannot simply write a historical account of technical inventions, because these inventions themselves structure the temporality of events and processes in our world. This is, at least, according... continue reading

DOSSIER

Mean Girls: Keren Cytter and “Vengeance”

by MELISSA GRONLUND

“I’m so excited,” a young woman says, about an advertising meeting that would make your eyes water with boredom. “Don’t worry, that’ll pass,” her older colleague replies. It’s a flat cliché, and he delivers it with a withering smile of self-congratulation. The woman appears put down, but you get the feeling that’s... continue reading

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