ANNOUNCEMENTS

Galerie Chantal Crousel

May 18, 2018

Henrik Olesen: 6 or 7 new works at Galerie Chantal Crousel

The German word Icht means any thing, or any such thing. The word has nearly vanished in modern language, having survived only in Nichts—nothing, (or no-thing), which was formed out of the two words in (meaning no) and icht (any such thing) as in-icht. If we subtract the T from Icht, the Ich remains—the German equivalent to the I. Embedded and included in Icht, in any such thing, is the I, the inherent I of any such thing. The... continue reading

carriage trade

May 17, 2018

Dan Graham carriage trade benefit edition

"Ironically, the new Whitney Museum is an upside down ziggurat and is considered high-style, while the office buildings are not thought to be very classy. In view of this obvious suspension of judgment it might be time to take a new look at the ziggurats." Sol Lewitt, Ziggurats, ARTS MAGAZINE/ November 1966 Expanding on his concept of "the idea becomes a machine that makes the art" Sol Lewitt’s Arts Magazine article Ziggurats offered... continue reading

Proyectos Monclova

May 17, 2018

Proyectos Monclova presents The Properties of Light. Luis Barragán-Fred Sandback

Proyectos Monclova is delighted to announce the solo exhibition Fred Sandback: The Properties of Light (Inside and Outside) from May 26–August 18, 2018, in conjunction with the new publication Luis Barragán, Fred Sandback: Las propiedades de la luz/The Properties of Light, and a panel discussion. At the time of his exhibition at the Tamayo Museum in 2002, the sculptor Fred Sandback (1943–2003) visited the Convento de las Capuchinas... continue reading

REVIEWS

Yto Barrada’s “Agadir”
THE BARBICAN CENTRE, London
View of Yto Barrada's "Agadir" at The Curve, Barbican Centre, London, 2018.

by MITCH SPEED

Just before midnight on February 29, 1960, an earthquake hit the Moroccan city of Agadir, killing between 12,000 and 15,000 people—roughly a third of the city’s population. As many were injured; at least 35,000 were left homeless. Yto Barrada’s “Agadir,” in The Curve gallery at London’s Barbican Centre, invokes the... continue reading

“The Red Hour”
THE 13TH DAK’ART BIENNALE, Dakar
Installation view of “Canine Wisdom for the Barking Dog” at IFAN, Dakar, 2018.

by VIVIAN ZIHERL

Dakar’s elegantly dilapidated Ancien Palais de Justice hosts the Dak’Art Biennale for the second time. Inaugurated in 1958, the courthouse was closed to juridical business in 1992—coincidentally the year that Dak’Art was established. Officially signed over to Senegal’s Culture Ministry in 2017, the Old Courthouse is an architectural dream for... continue reading

Chris Kraus’s “In Order to Pass: Films from 1982–1995″
CHATEAU SHATTO, Los Angeles
View of Chris Kraus's "In Order to Pass: Films from 1982–1995" at Château Shatto, Los Angeles, 2018.

by PATRICK STEFFEN

Dear Chris, How sweet it was talking with you at the opening of your show. You allowed me to introduce myself, so I could share some words I have longed to tell you since I arrived in this city. I was introduced to Los Angeles through your writings: a primal, unfettered... continue reading

DOSSIER

Xavier Hufkens
Cardi Black Box
Kaleidoscope
Magazine Mousse
e-flux iPad
flashart
galeria nara roesler
Vitamin creative space
Art Newspaper
Anton Kern Gallery
Friedrich Petzel
P420
Luisa Strina