ANNOUNCEMENTS

WYNG Foundation

July 24, 2017
Courtesy WYNG Foundation. Courtesy WYNG Foundation.

Call for submissions: WMA Masters 2017/18

The WMA Masters welcomes photography submissions from all over the world on this year's theme of TRANSITION. Images must relate to the theme and be made in or relate to Hong Kong. The deadline for submission is September 15, 2017 (23:59 Hong Kong time; GMT + 8:00). From now till September 15, 2017, the WMA Masters invites both international and Hong Kong artists and image-makers to submit photographic works. The visual content must be... continue reading

Flash Art International

July 21, 2017
   

Flash Art International Archive: 2007–2017 online

Flash Art International is pleased to announce the digitisation of the last ten years of the magazine. It is now possible to browse the main features of all issues published between 2007 and 2017 by visiting the Archive section of flashartonline.com. Flash Art is proud to begin sharing its heritage on the occasion of its 50th anniversary.... continue reading

Francesco Pantaleone Arte Contemporanea

July 21, 2017
Julieta Aranda, As the ground becomes exposed (2). Ceramic clay, cold glaze, 35 x 45 x 25 cm. Julieta Aranda, As the ground becomes exposed (2). Ceramic clay, cold glaze, 35 x 45 x 25 cm.

Julieta Aranda

The work of Julieta Aranda has long been concerned with the workings of the social arena through human interaction, and the reciprocal relationships between both the production of the self as subject, and the space within which the produced subjects interact. As many of these interactions take place through language, Aranda often uses language as material–she always organizes her research through crossword puzzles, where she juxtaposes... continue reading

July 21, 2017
July 12, 2017
Vermelhomiart – international fair of modern and contemporary art
July 11, 2017

REVIEWS

Nick Bastis’s “Sentries”
ERMES-ERMES, Rome
View of Nick Bastis's "Sentries," Ermes-Ermes, Rome, 2017.

by SIMONE MENEGOI

“Can you see anything?” Lord Carnarvon anxiously asked Howard Carter, who was peering, through a small hole by the light of a candle, into the anteroom of the tomb of Tutankhamun. “Yes, wonderful things!” was his famous answer. Viewers who access Nick Bastis’s exhibition do not see “wonderful things”; on... continue reading

“Letter from Istanbul”
PI ARTWORKS, London
View of "Letter from Istanbul," Pi Artworks, London, 2017.

by FILIPA RAMOS AND MORGAN QUAINTANCE

In curating “Letter from Istanbul” at Pi Artworks, London, Morgan Quaintance combined multiple approaches to examine the cultural, social, and political life of Istanbul. He expanded the format of the exhibition to open a direct dialogue between artworks and diverse materials and documents, while also including radio broadcasts and a... continue reading

Tamara Henderson’s “Seasons End: Panting Healer”
RODEO, London
View of Tamara Henderson's "Seasons End: Panting Healer," Rodeo, London, 2017.

by TOM MORTON

A rule of thumb: hearing about other people’s trips abroad is boring. Another: hearing about their dreams is even worse. Given that the work of Tamara Henderson draws on the Canadian artist’s world-girdling nomadism (her CV is a litany of travel grants and residencies) and her own unconscious (past projects... continue reading

DOSSIER

galeria nara roesler
The breeder
Xavier Hufkens
Vitamin creative space
Cardi Black Box
Blum&Poe
X-TRA
Gallery Ernst Hilger
Aperture
e-flux iPad
Afterimage
P420
Friedrich Petzel