ANNOUNCEMENTS

Kayne Griffin Corcoran

September 17, 2014
Courtesy Mark Handforth. Courtesy Mark Handforth.

Mark Handforth at Kayne Griffin Corcoran

Kayne Griffin Corcoran is pleased to present an exhibition of new work by sculptor Mark Handforth. Rough Dark Diamond, Handforth's first solo gallery exhibition in Los Angeles, will consist of large-scale sculptural works installed both within the gallery and in the courtyard outside. Mark Handforth twists mundane markers of modern life—light fixtures, roadway signs, motorcycles—into an evocative series of symbols and ciphers. Working in... continue reading

Art in Print

September 17, 2014
Cover image: Edward Bawden, The Baker (detail), 1949. Color lithograph from six hand-drawn zinc plates, 9.8 cm x 15.5 cm. © The Estate of Edward Bawden. Cover image: Edward Bawden, The Baker (detail), 1949. Color lithograph from six hand-drawn zinc plates, 9.8 cm x 15.5 cm. © The Estate of Edward Bawden.

Art in Print September–October 2014

We are pleased to announce that the September–October 2014 issue of Art in Print is out now. The simplistic habit of equating physical size with cultural importance is a blunder. The world's most widely traveled, socially gregarious and conceptually complex art objects can often be fit into a studio apartment. For the September–October issue of Art in Print we invited writers, artists and scholars to consider domesticity—the domain... continue reading

Aperture Magazine

September 17, 2014
   

Aperture’s "Fashion" issue available now

The theme for Aperture's fall 2014 issue is "Fashion," produced in collaboration with the groundbreaking fashion photography duo Inez & Vinoodh. The issue explores the role of image quotation and reference, which are part and parcel of any creative act but are essential to the world of fashion. "In today's professional climate...you're only as good as your references," note Inez & Vinoodh, a husband-and-wife team whose collaboration of... continue reading

REVIEWS

“I Like Girls”
PETER MCLEAVEY POP UP GALLERY, Wellington
(Left) Ava Seymour, Triptych Lumiere, 2010. (Right) Barbara Kruger, We Will No Longer Be Seen and Not Heard (detail), 1985.

by MEGAN DUNN

“I like Girls” is a stockroom show loosely organized around a statement that irreverently alludes to feminism, which combines Barbara Kruger’s Untitled (We Will No Longer Be Seen and Not Heard) (1985) with a range of works by New Zealand artists Ava Seymour and Yvonne Todd. At the last minute... continue reading

“The Great Acceleration: Art in the Anthropocene”
9TH TAIPEI BIENNIAL, Taipei
Surasi Kusolwong, Golden Ghost (Reality Called, So I Woke Up), 2014.

by LAURA MCLEAN-FERRIS

“The Great Acceleration: Art in the Anthropocene,” curated by Nicolas Bourriaud, casts human subjects as both increasingly ghostly, stressing limitations and finitudes, as well more aligned with the organic, strange, and sensory. In other words: both more dead and more alive. These qualities have been thrown into relief by the... continue reading

São Paulo Round Up
VARIOUS LOCATIONS, São Paulo
Lawrence Weiner, HERE FOR A TIME THERE FOR A TIME & SOMEWHERE FOR A TIME AQUI POR UM TEMPO LÁ POR UM TEMPO & EM ALGUM LUGAR POR UM TEMPO, 2014.

by SOPHIE GOLTZ

The past 10 years have seen an expansion in the recognition of Latin American artists worldwide, as well as a multiplication of the numbers of galleries and art-related events in Brazil, especially in São Paulo. Being so, a survey of the city’s growing number of contemporary art institutions such as... continue reading

DOSSIER

Mean Girls: Keren Cytter and “Vengeance”

by MELISSA GRONLUND

“I’m so excited,” a young woman says, about an advertising meeting that would make your eyes water with boredom. “Don’t worry, that’ll pass,” her older colleague replies. It’s a flat cliché, and he delivers it with a withering smile of self-congratulation. The woman appears put down, but you get the feeling that’s... continue reading

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