REVIEWS

Rebecca Moss, International Waters, 2017.
by

Travis Diehl

Spaces is a feature of art-agenda that proposes a thematic examination of exhibition spaces based on the analysis of their physical and spatial configurations. Every two months, art-agenda publishes a new reflection on galleries’ architecture, identity, and relation with their historical and geographical context. The latest instalment of Spaces considers... continue reading
View of Martino Gamper's "Middle Chair," Pollok House, Pollok Country Park, Glasgow, 2017.
by

Francis McKee

The marriage of Italian designer Martino Gamper and Pollok House in Glasgow, set up by The Modern Institute, is a perfect match. Originally the ancestral home of the Stirling-Maxwell baronetcy, the house was built in 1752 and is run now by the National Trust as a public museum. Much of... continue reading
Nick Bastis’s “Sentries”

ERMES-ERMES, Rome

View of Nick Bastis's "Sentries," Ermes-Ermes, Rome, 2017.
by

Simone Menegoi

“Can you see anything?” Lord Carnarvon anxiously asked Howard Carter, who was peering, through a small hole by the light of a candle, into the anteroom of the tomb of Tutankhamun. “Yes, wonderful things!” was his famous answer. Viewers who access Nick Bastis’s exhibition do not see “wonderful things”; on... continue reading
“Letter from Istanbul”

PI ARTWORKS, London

View of "Letter from Istanbul," Pi Artworks, London, 2017.
by

Filipa Ramos and Morgan Quaintance

In curating “Letter from Istanbul” at Pi Artworks, London, Morgan Quaintance combined multiple approaches to examine the cultural, social, and political life of Istanbul. He expanded the format of the exhibition to open a direct dialogue between artworks and diverse materials and documents, while also including radio broadcasts and a... continue reading
View of Tamara Henderson's "Seasons End: Panting Healer," Rodeo, London, 2017.
by

Tom Morton

A rule of thumb: hearing about other people’s trips abroad is boring. Another: hearing about their dreams is even worse. Given that the work of Tamara Henderson draws on the Canadian artist’s world-girdling nomadism (her CV is a litany of travel grants and residencies) and her own unconscious (past projects... continue reading
Mandla Reuter

FRANCESCA MININI, Milan

View of Mandla Reuter, Francesca Minini, Milan, 2017.
by

Ilaria Bombelli

The invitation to the third solo show by Mandla Reuter at Francesca Minini bears no title or explanation. It relies on just one image, evocative enough on its own: a moonless sea, rippled by waves. Even the press release, stripped of all syntax, is reduced to a chain of words... continue reading

AUTHOR

view all

GALLERY

view all
Abc
Bq
Kow
M+B
Non
Vw

ARTIST

view all
Anton Kern Gallery
Gallery Ernst Hilger
galeria nara roesler
art-agenda
GALLERIA MASSIMODELUCA
Carolina Nitsch
Camera Austria
Art Monthly
Sprueth Magers
sp-arte
ArtAsiaPacific
Cardi Black Box
Deweer