Our sense of gravity and orientation is controlled by a little something in our ear. The Otolith Group—Anjalika Sagar and Kodwo Eshun—derives its name from this inner ear doodah. So it’s not too far fetched to suggest that ears guide the group’s visual art practice. And if hearing is important,...
continue reading
This year’s edition of ARCOmadrid Art Fair was having none of the doom and gloom that usually accompany the fair. The Spanish art scene has tended to berate its most important and oldest art fair, a feeling which intensified when it was subject to management disagreements and ensuing conflicts with...
continue reading
Andrea Büttner’s second show at Hollybush Gardens is a study in humility, painted in a shade of don’t-look-at-me grey. The dominant color in the exhibition is that particular commonplace grey of worker’s uniforms—the cheap, mass-produced pencil skirts of hotel workers and public servants, or school uniform blazers. It’s the fabric...
continue reading
When it comes to Colab, there’s not yet a definitive history. From one perspective, Collaborative Projects was an artist-run funding scheme struck up during the fabled efflorescence of late-70s downtown New York; it consisted mostly of clashing egos who tolerated one another for the sake of self-advancement and government support,...
continue reading
On Wednesday, February 1 at about 11:00 am I received a telephone call with news I never expected to hear: Mike Kelley had committed suicide. The caller was Jim Shaw. His tone was matter-of-fact, grim and mournful, but also frustrated. I knew that Mike had been wrestling with personal problems, but expected that he would take these in stride as he had always done before. Jim, however, knew otherwise. He had been perhaps Mike’s closest confidante....
continue reading
Fredrik Værslev’s exhibition seems to suggest that paintings are trivial; that they are—to turn a phrase—”for the birds.” Indeed, the five untitled paintings that make up the bulk of the show are rather innocuously referred to in the press release as “bird paintings,” an allusion to the manner in which...
continue reading