REVIEWS

/ Haegue Yang
Haegue Yang’s “Quasi-ESP”

GALERIE CHANTAL CROUSEL, Paris

View of Haegue Yang’s “Quasi-ESP,” Galerie Chantal Crousel, Paris, 2017.
by

Sofia Lemos

Not having a story to tell from the beginning or possibly starting from the middle is how Taoism describes time: continuity without a starting point. Stories abbreviate and expand in “intensiveness,” a term Haegue Yang uses, in dialogue with Jimmie Durham, to describe a mode that, similarly to belief, can... continue reading
Haegue Yang’s “Ovals and Circles”

GALERIE CHANTAL CROUSEL, Paris

View of Haegue Yang’s “Ovals and Circles,” Galerie Chantal Crousel, Paris, 2013.
by

Mara Hoberman

Hot on the heels of her first solo exhibition with Chantal Crousel (“Ajar” at the gallerist’s satellite showroom, La Douane, October 18–December 7, 2012), Haegue Yang’s current show at Crousel’s flagship gallery moves beyond the venetian blind installations and drying rack sculptures for which the South Korean-born, Berlin-based artist is... continue reading

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