REVIEWS

/ Henri Chopin
View of Henri Chopin’s “La Crevette Amoureuse,” Supportico Lopez, Berlin, 2013.
by

Vincenzo Latronico

The traditional form of the novel, as we know it since the nineteenth century, seems oddly impervious to change. In comparison to the extraordinary evolutions undergone by art, very little has changed between today’s mainstream fiction and its Balzac, Austen, and James equivalents. Most of the novel’s purported evolutions have... continue reading

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MIA Art Fair
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The Third Line
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