REVIEWS

/ Henri Chopin
View of Henri Chopin’s “La Crevette Amoureuse,” Supportico Lopez, Berlin, 2013.
by

Vincenzo Latronico

The traditional form of the novel, as we know it since the nineteenth century, seems oddly impervious to change. In comparison to the extraordinary evolutions undergone by art, very little has changed between today’s mainstream fiction and its Balzac, Austen, and James equivalents. Most of the novel’s purported evolutions have... continue reading

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Camera Austria
Afterimage
Art Monthly
Cardi Black Box
The Third Line
Brooklyn Rail
sp-arte
Xavier Hufkens
Anton Kern Gallery
P420
Gallery Ernst Hilger
Luisa Strina
Aperture